Ryan Reynolds (FULL EPISODE) | Conan O'Brien Needs A Friend

Ryan Reynolds joins Conan O'Brien for a hilarious, wide-ranging conversation. They discuss the art of comedy, lessons learned from challenging childhoods, and the intricacies of filmmaking. From Deadpool stories to industry insights, this episode offers a witty look at life at the top.

AI Transcribed Real Interview

Source Video

Ryan Reynolds joins Conan O'Brien for a hilarious, wide-ranging conversation. They discuss the art of comedy, lessons learned from challenging childhoods, and the intricacies of filmmaking. From Deadpool stories to industry insights, this episode offers a witty look at life at the top.

Published May 13, 2025

Get Your Interview Transcribed

Upload your interview recording and get professional transcription with AI-generated insights.

Upload Your Interview

Category

Ryan Reynolds

Tags

Ryan Reynolds, Conan O'Brien, Deadpool, Comedy, Podcasting, Canadian Comedy, Filmmaking, Actor Interview

Full Transcription

SPEAKER_04 00:03 - 00:13

My name is Ryan Reynolds, and I feel philodendrous about being Conan O'Brien's friend.

SPEAKER_02 00:13 - 00:15

Little Who's Harry Crumb reference there for you.

SPEAKER_05 00:17 - 00:18

Philodendrous, look it up.

SPEAKER_04 00:18 - 00:19

Look it up!

SPEAKER_04 00:19 - 00:22

I believe he says philodendron, but that didn't work.

SPEAKER_04 00:22 - 00:24

So you changed it to philodendrous?

SPEAKER_04 00:24 - 00:24

Correct.

SPEAKER_04 00:24 - 00:25

You know what you are?

SPEAKER_04 00:26 - 00:27

Yes, and I'm sorry.

SPEAKER_05 00:27 - 00:29

You're a son of a bitch.

SPEAKER_05 00:29 - 00:29

Oh, I am.

SPEAKER_05 00:30 - 00:37

Hey there, and welcome to Conan O'Brien Needs a Friend, and I do.

SPEAKER_05 00:37 - 00:38

I need a friend.

SPEAKER_05 00:39 - 00:44

It's never too late to become my chum, joined by Sona Mavsessian.

SPEAKER_05 00:44 - 00:45

How are you, Sona?

SPEAKER_01 00:45 - 00:45

Good to see you.

SPEAKER_01 00:46 - 00:47

I'm doing all right.

SPEAKER_05 00:47 - 00:47

You're doing okay?

SPEAKER_01 00:48 - 00:48

Yeah.

SPEAKER_05 00:49 - 00:50

And Matthew Gorley.

SPEAKER_05 00:50 - 00:50

Hi.

SPEAKER_05 00:51 - 01:00

And Sona, quickly, we should address the fact that you did lose your house in the fire, but you guys have found a new place that you might be moving into.

SPEAKER_01 01:00 - 01:01

We have, yeah.

SPEAKER_01 01:01 - 01:12

In fact, I was there yesterday for an inspection, and I ran into a really nice man named Richard walking his dog, and he said, I usually listen to you while I'm walking my dog.

SPEAKER_01 01:12 - 01:13

Wow.

SPEAKER_01 01:13 - 01:13

Yeah.

SPEAKER_01 01:13 - 01:16

And I was like, I get to live by a fan.

SPEAKER_05 01:16 - 01:17

That's nice.

SPEAKER_01 01:17 - 01:17

Yeah.

SPEAKER_01 01:18 - 01:18

That's nice.

SPEAKER_01 01:18 - 01:19

Yeah.

SPEAKER_01 01:19 - 01:20

It is nice.

SPEAKER_05 01:20 - 01:22

You hesitated for a second.

SPEAKER_01 01:22 - 01:23

No, I mean, like, you know.

SPEAKER_01 01:24 - 01:25

There's a lot of people.

SPEAKER_01 01:25 - 01:26

It's good.

SPEAKER_01 01:26 - 01:26

It's good.

SPEAKER_01 01:26 - 01:27

It's a good thing.

SPEAKER_01 01:27 - 01:32

Like, he's really nice, and it's a really nice place, and I'm excited not to live at my mom and dad's house.

SPEAKER_05 01:32 - 01:40

Yeah, that sounded like, I mean, I love your mom and dad, but it can be difficult to live with your parents.

SPEAKER_01 01:40 - 01:40

Yes.

SPEAKER_05 01:40 - 01:42

Not meant to at a certain point.

SPEAKER_01 01:42 - 01:42

Nope.

SPEAKER_05 01:42 - 01:44

I'm guessing, is it Nadia?

SPEAKER_05 01:45 - 01:48

Is it your mom, who can kind of, she can wear on you a little bit sometimes?

SPEAKER_01 01:49 - 01:50

You know, yeah, she can.

SPEAKER_01 01:51 - 01:51

Yeah.

SPEAKER_05 01:51 - 01:52

And she means well.

SPEAKER_05 01:52 - 01:53

She's well-intentioned.

SPEAKER_01 01:53 - 02:01

They are unbelievably so nice to let us stay there, but they also, they watch a lot of Turkish soap operas.

SPEAKER_01 02:01 - 02:02

What?

SPEAKER_01 02:02 - 02:03

Yeah, it's like all day.

SPEAKER_01 02:03 - 02:07

I mean, not all day, but it's like a lot of Turkish, because they're from Turkey.

SPEAKER_01 02:07 - 02:08

They're Armenian.

SPEAKER_01 02:08 - 02:11

It's important to note that, but they're from Turkey.

SPEAKER_05 02:11 - 02:15

But wait a minute, where do you, where does one get, because I'm constantly looking for Turkish soap operas, and I don't- Oh, I got a guy.

SPEAKER_05 02:15 - 02:16

You need some, I'll get you some.

SPEAKER_05 02:16 - 02:17

Do you really?

SPEAKER_01 02:17 - 02:17

No, no, no.

SPEAKER_01 02:17 - 02:18

You know what's up?

SPEAKER_01 02:18 - 02:18

YouTube.

SPEAKER_01 02:19 - 02:19

Uh-huh.

SPEAKER_05 02:19 - 02:21

Oh, so they watch them on YouTube.

SPEAKER_01 02:21 - 02:21

Yeah.

SPEAKER_05 02:21 - 02:22

Do you follow the stories?

SPEAKER_01 02:23 - 02:24

No, I don't watch it with them.

SPEAKER_01 02:24 - 02:28

I'm in my room watching TV on my laptop, like a dork.

SPEAKER_05 02:28 - 02:28

Yeah.

SPEAKER_01 02:28 - 02:29

Like a dork.

SPEAKER_05 02:29 - 02:31

You're watching The Pit or something like current.

SPEAKER_01 02:31 - 02:33

Yeah, I got really into The Pit lately.

SPEAKER_01 02:33 - 02:33

Yeah.

SPEAKER_05 02:33 - 02:38

Would you, do you ever, I mean, I'd just be curious, what happens in a Turkish soap opera?

SPEAKER_05 02:38 - 02:41

Are they the same kind of model as every soap opera everywhere?

SPEAKER_05 02:42 - 02:43

It's just, oh, it's Turkey.

SPEAKER_01 02:43 - 02:45

I think the lighting is different.

SPEAKER_01 02:45 - 02:47

They're all gorgeous and have beautiful skin.

SPEAKER_01 02:47 - 02:49

And then they, uh-

SPEAKER_00 02:49 - 02:50

Eduardo, you want to jump in here.

SPEAKER_00 02:50 - 02:51

Everything feels very dramatic.

SPEAKER_00 02:51 - 02:55

I'm only familiar because my mom watches a Turkish novella.

SPEAKER_00 02:55 - 03:03

It's basically a Turkish soap opera, but the Spanish channels have put subtitles, and there's people speaking in Spanish over them.

SPEAKER_00 03:03 - 03:06

And I asked her where they were from, and she's like, oh, it's in Turkey.

SPEAKER_00 03:06 - 03:08

So they're popular, I guess.

SPEAKER_01 03:08 - 03:12

Yeah, there's certain countries that have dominated, like Korean soap operas are legit.

SPEAKER_05 03:12 - 03:14

My mother-in-law watches those.

SPEAKER_01 03:14 - 03:15

Oh, really?

SPEAKER_05 03:15 - 03:19

And in my travel shows, whenever we can, I try to do a local soap opera.

SPEAKER_01 03:20 - 03:20

Yeah.

SPEAKER_05 03:20 - 03:34

And we've done them in a bunch of countries, and I cannot tell you how many times someone from Mexico has said, I look familiar to them, or they kind of know who I am, but they're not sure.

SPEAKER_05 03:34 - 03:37

And I say, I'll show you who I am.

SPEAKER_05 03:37 - 03:52

And I call up when I was on the telenovela that was in the Mexico City episode, and I show it to them, and they always enjoy it, because I'm speaking Spanish the whole time, my version of Spanish.

SPEAKER_01 03:52 - 03:52

Yeah.

SPEAKER_05 03:52 - 03:54

And I love it, because I have a mustache.

SPEAKER_01 03:54 - 03:56

Oh, yeah, you always have a mustache.

SPEAKER_05 03:56 - 03:57

I always try and have a mustache.

SPEAKER_05 03:57 - 03:58

That's good.

SPEAKER_05 03:58 - 04:06

And try and exude authority, but I love being in foreign soap operas, and I realize I haven't done a Turkish soap opera.

SPEAKER_05 04:06 - 04:07

I'd love to be in one.

SPEAKER_01 04:07 - 04:08

Yeah, yeah.

SPEAKER_01 04:08 - 04:08

No?

SPEAKER_05 04:08 - 04:09

You don't seem thrilled about it?

SPEAKER_01 04:09 - 04:10

I think you could do it.

SPEAKER_01 04:10 - 04:11

Well, you could do it.

SPEAKER_05 04:11 - 04:12

I did an Armenian show.

SPEAKER_01 04:12 - 04:13

Yeah, you did.

SPEAKER_05 04:13 - 04:13

Was it a crime show?

SPEAKER_05 04:13 - 04:14

I played a crime boss.

SPEAKER_01 04:14 - 04:16

You played a crime boss.

SPEAKER_01 04:16 - 04:20

First of all, they tried to make you look Armenian, and it did not work.

SPEAKER_05 04:20 - 04:20

Oh, that's right.

SPEAKER_05 04:20 - 04:25

I don't know what they did to me, but they, like, painted dark wrinkles on me or something.

SPEAKER_01 04:25 - 04:29

They put dark eyebrows, and then they put a dark wig on you.

SPEAKER_05 04:29 - 04:32

Yes, on the palest man in the world.

SPEAKER_01 04:32 - 04:32

Yes.

SPEAKER_05 04:32 - 04:40

They gave me jet black, curly hair, and a crazy eyebrows, and I'm a drug lord.

SPEAKER_01 04:40 - 04:44

Yeah, and you just ordered guys to beat up another person.

SPEAKER_05 04:44 - 04:46

Yes, and I had to say it in Armenian, which was very difficult.

SPEAKER_05 04:46 - 04:47

Do you remember your line?

SPEAKER_05 04:47 - 04:48

No, I don't remember.

SPEAKER_01 04:48 - 04:50

Hetike, or hetika, which means enough.

SPEAKER_01 04:51 - 04:51

Hetika.

SPEAKER_01 04:51 - 04:52

Yeah, they were beating him up.

SPEAKER_05 04:52 - 04:53

They were beating him up, and I said enough.

SPEAKER_01 04:54 - 04:54

Hetika.

SPEAKER_01 04:54 - 04:56

Yeah, and then you had a cigar in your hand.

SPEAKER_05 04:56 - 05:01

I had a cigar in my mouth, and I just sort of was trying to be like the Tony Soprano of Yerevan, Armenia.

SPEAKER_05 05:01 - 05:11

But I have to say, done it in the new Max series for the second season.

SPEAKER_05 05:11 - 05:18

I'm, yes, I did a medical drama, like their version of The Pit.

SPEAKER_07 05:18 - 05:18

Yeah.

SPEAKER_05 05:19 - 05:26

I did a medical drama, it was in New Zealand, and I'm really excited for that to come out because I had to know all of this.

SPEAKER_05 05:26 - 05:32

They gave me an impossible amount of medical jargon because I think they really wanted me to fuck up badly.

SPEAKER_06 05:32 - 05:34

Did you do American accent or New Zealand?

SPEAKER_05 05:35 - 05:37

I didn't do, I didn't attempt the accent.

SPEAKER_05 05:37 - 05:38

I did not.

SPEAKER_05 05:39 - 05:40

So, sorry for that.

SPEAKER_05 05:40 - 05:43

But I think I did nail the medical jargon.

SPEAKER_05 05:43 - 05:44

Do you remember your lines?

SPEAKER_05 05:44 - 05:46

No, I don't remember my lines.

SPEAKER_01 05:47 - 05:50

Did you guys ever watch American soap operas?

SPEAKER_06 05:50 - 05:51

I did for a summer or two.

SPEAKER_01 05:51 - 05:52

Me too.

SPEAKER_06 05:52 - 05:52

Yeah.

SPEAKER_01 05:52 - 06:05

My friend once lied to us when we were like 12 and said she made out with Austin Peck from Days of Our Lives, and we believed her, so we watched Days of Our Lives, and then we found out she didn't ever make out with Austin Peck.

SPEAKER_05 06:05 - 06:05

At the time.

SPEAKER_01 06:05 - 06:06

She was like 14.

SPEAKER_05 06:06 - 06:08

Oh, so he'd be under arrest.

SPEAKER_01 06:09 - 06:11

But we didn't, like, think of it that way.

SPEAKER_01 06:11 - 06:15

We're like, oh my God, she made out with Austin Peck, but she just lied to us.

SPEAKER_01 06:15 - 06:21

Just blatantly lied to us, and we believed her, and we all got into Days of Our Lives to support the guy that she made out with.

SPEAKER_01 06:21 - 06:22

To support him?

SPEAKER_05 06:22 - 06:24

Oh wait, so how old was he at the time?

SPEAKER_01 06:24 - 06:26

He must have been in his 20s.

SPEAKER_01 06:26 - 06:26

I had no idea.

SPEAKER_01 06:27 - 06:28

He had no idea who she was.

SPEAKER_05 06:28 - 06:30

What an interesting, so she just stuck with this lie.

SPEAKER_01 06:30 - 06:32

Just lied about it.

SPEAKER_01 06:32 - 06:33

Do you still talk to her?

SPEAKER_01 06:33 - 06:35

Oh my, no, that broke everything up.

SPEAKER_01 06:35 - 06:37

Oh yeah, I wonder how she's doing.

SPEAKER_01 06:37 - 06:38

She lied about a lot of stuff.

SPEAKER_01 06:38 - 06:38

She also lied.

SPEAKER_01 06:38 - 06:42

She said she was a model, and we were like, you're 5'2", but okay.

SPEAKER_01 06:42 - 06:44

Like, we believed everything she said.

SPEAKER_01 06:44 - 06:45

I don't believe anybody now.

SPEAKER_05 06:45 - 06:47

I wish I had known you then, because you were very gullible.

SPEAKER_05 06:47 - 06:47

Yeah, I know.

SPEAKER_05 06:47 - 06:48

Hey, can you give me some money?

SPEAKER_05 06:48 - 06:50

I'm an ATM, and I ran out.

SPEAKER_05 06:51 - 06:53

Okay, you don't look like an ATM.

SPEAKER_05 06:53 - 06:57

I don't remember having to put cash into an ATM, but okay.

SPEAKER_05 06:57 - 06:59

I guess they do have to be restocked.

SPEAKER_05 06:59 - 07:02

But you do have arms and legs and a head.

SPEAKER_05 07:02 - 07:03

Well, anyway.

SPEAKER_05 07:03 - 07:06

I'm a baby that only eats wallets.

SPEAKER_01 07:07 - 07:09

They were just so gullible.

SPEAKER_01 07:09 - 07:10

We really, it wasn't just me.

SPEAKER_01 07:10 - 07:12

It was like my friend group.

SPEAKER_05 07:12 - 07:15

But you were unfailingly honest.

SPEAKER_05 07:15 - 07:15

You didn't lie?

SPEAKER_01 07:16 - 07:17

No, what do you mean?

SPEAKER_01 07:17 - 07:17

Lie about what?

SPEAKER_05 07:18 - 07:21

You're a very honest person, so there are kids that will just say stuff.

SPEAKER_05 07:21 - 07:29

Like, my brother Neil, growing up, he went to a different school than I did, and he would come home, and he would just, I'd say, what did you learn today?

SPEAKER_05 07:29 - 07:31

And he'd say, oh, today we learned.

SPEAKER_05 07:31 - 07:34

And then he would just tell me things that were completely untrue.

SPEAKER_05 07:35 - 07:37

And I was just a little kid, so I believed him.

SPEAKER_05 07:37 - 07:37

Yeah.

SPEAKER_05 07:37 - 07:40

And you'd take them back to school thinking you knew some stuff?

SPEAKER_05 07:40 - 07:41

Yeah, I'd say, my brother said there's-

SPEAKER_01 07:41 - 07:42

Like, he's so cool.

SPEAKER_05 07:43 - 07:43

Yeah.

SPEAKER_05 07:43 - 07:51

He told me, oh, today we learned that there's a hole that they found in the earth, and they lowered a camera in it, and it went to the center of the earth, and they took a couple of pictures with it.

SPEAKER_05 07:51 - 07:52

Luke.

SPEAKER_05 07:52 - 08:01

Then they felt a tugging on the line, and they pulled it up, and the camera was all mangled, but they were able to develop the film, and they could see a T-Rex charging.

SPEAKER_05 08:01 - 08:03

And I was like, what?

SPEAKER_05 08:03 - 08:06

And he went, yeah, proof that there's a T-Rex at the center of the earth.

SPEAKER_05 08:06 - 08:09

And Neil's a couple of years older than me and knew better.

SPEAKER_01 08:09 - 08:10

Oh, Neil did this.

SPEAKER_01 08:10 - 08:11

This is Neil.

SPEAKER_01 08:11 - 08:11

Yeah.

SPEAKER_05 08:11 - 08:13

No, no, Luke was always like a priest.

SPEAKER_05 08:13 - 08:17

He was just really good and like, well, I wouldn't tell an untruth.

SPEAKER_05 08:17 - 08:19

Neil would just fuck with me all the time.

SPEAKER_05 08:20 - 08:22

He told me so many lies and still does.

SPEAKER_05 08:23 - 08:24

I talked to him every day.

SPEAKER_01 08:24 - 08:25

He's always lying to me.

SPEAKER_01 08:25 - 08:26

Did you do that, though, to Justin?

SPEAKER_01 08:27 - 08:27

No, I didn't lie.

SPEAKER_01 08:27 - 08:28

You did.

SPEAKER_05 08:28 - 08:29

No, no, I didn't lie to Justin.

SPEAKER_05 08:30 - 08:31

Justin was 10 years younger than me.

SPEAKER_05 08:31 - 08:32

He was a little kid.

SPEAKER_05 08:32 - 08:37

And so what I did to Justin was just broke his mind with strange games.

SPEAKER_05 08:38 - 08:39

So he just wanted to play cops and robbers.

SPEAKER_05 08:39 - 08:41

And I would say, oh, yeah, I told you this, right?

SPEAKER_05 08:41 - 08:43

And I would just tangle him up in paperwork.

SPEAKER_05 08:45 - 08:46

That's so funny.

SPEAKER_05 08:46 - 08:47

You drew your pistol.

SPEAKER_05 08:47 - 08:48

And he'd be like, what?

SPEAKER_05 08:48 - 08:49

You drew your pistol.

SPEAKER_05 08:49 - 08:49

There's paperwork.

SPEAKER_05 08:50 - 08:53

And I would get pads of paper from my dad's office.

SPEAKER_05 08:53 - 08:55

You need to fill out these forms.

SPEAKER_05 08:56 - 08:57

It's a bureaucracy.

SPEAKER_05 08:57 - 08:59

That's a big part of being a cop.

SPEAKER_01 08:59 - 09:01

That's worse than what Neil did to you, I think.

SPEAKER_06 09:01 - 09:07

My neighbor saw The Shining before I did and told me about it, recounted it, and completely lied about it.

SPEAKER_06 09:07 - 09:10

And then when I saw it, I was just forever wondering where.

SPEAKER_06 09:10 - 09:13

He said that Jack Nicholson got his arm cut off.

SPEAKER_06 09:13 - 09:15

And you know how a human can grow an arm back.

SPEAKER_06 09:15 - 09:17

He grows an arm back and all this stuff.

SPEAKER_06 09:17 - 09:18

And I just was expecting.

SPEAKER_06 09:18 - 09:19

Was it a kid?

SPEAKER_06 09:19 - 09:20

It was a kid.

SPEAKER_06 09:20 - 09:21

Yeah, it was my age.

SPEAKER_05 09:21 - 09:21

Oh, that's OK.

SPEAKER_05 09:21 - 09:22

Kids are just crazy.

SPEAKER_05 09:23 - 09:24

I think it's OK if you're a kid.

SPEAKER_05 09:24 - 09:30

For a moment, I pictured like a 35-year-old neighbor, and then it's time to call somebody.

SPEAKER_01 09:30 - 09:37

Wait, why are you guys getting on my case about believing that my friend made out with Austin Peck when you guys believed all this shit your brothers and your friend told you?

SPEAKER_01 09:37 - 09:38

Good point.

SPEAKER_01 09:38 - 09:39

We were all dumb.

SPEAKER_05 09:39 - 09:40

Can I say something?

SPEAKER_05 09:40 - 09:44

You just stood up for yourself in a way that I thought was deserved.

SPEAKER_01 09:44 - 09:45

Yes, thank you.

SPEAKER_05 09:47 - 09:49

And I don't know.

SPEAKER_05 09:49 - 09:49

I still think you're dumb.

SPEAKER_05 09:50 - 09:50

Yeah.

SPEAKER_06 09:50 - 09:51

It doesn't change anything.

SPEAKER_05 09:51 - 09:52

It doesn't change anything.

SPEAKER_06 09:52 - 09:53

It's impressive what you did.

SPEAKER_06 09:53 - 09:53

Yeah.

SPEAKER_05 09:53 - 09:54

But think of the three of us.

SPEAKER_06 09:54 - 09:56

It's crazy that you believed that girl.

SPEAKER_01 09:56 - 09:57

It is pretty stupid.

SPEAKER_01 09:57 - 09:57

Yeah.

SPEAKER_05 09:58 - 09:58

All right.

SPEAKER_05 09:58 - 10:01

Well, let's get this podcast going.

SPEAKER_05 10:01 - 10:04

My guest today, I am thrilled he's here.

SPEAKER_05 10:04 - 10:11

He starred in the Deadpool films and the FX series Welcome to Wrexham, which returns for a fourth season on May 15th.

SPEAKER_05 10:12 - 10:15

I am absolutely delighted he's here today.

SPEAKER_05 10:15 - 10:25

He's an incredibly talented screen actor, television actor, but also one of the funnier people you will run into in life.

SPEAKER_05 10:25 - 10:26

Yeah.

SPEAKER_05 10:26 - 10:30

He, um, he's crazy talented and a good soul.

SPEAKER_05 10:30 - 10:32

Ryan Reynolds, welcome.

SPEAKER_07 10:32 - 10:33

You didn't leave the pause.

SPEAKER_05 10:33 - 10:34

Oh, sorry.

SPEAKER_05 10:34 - 10:35

Let's keep this.

SPEAKER_05 10:35 - 10:36

Oh, what'd I do wrong?

SPEAKER_06 10:37 - 10:37

You didn't leave the pause.

SPEAKER_06 10:37 - 10:39

We talked about this last episode.

SPEAKER_06 10:39 - 10:40

Before you say the name, you're supposed to.

SPEAKER_05 10:40 - 10:42

I think I'm just excited that Ryan's here.

SPEAKER_05 10:42 - 10:42

I understand.

SPEAKER_06 10:43 - 10:46

And I should have told you literally seven years ago when we started this podcast.

SPEAKER_06 10:46 - 10:47

He was 15.

SPEAKER_01 10:47 - 10:50

But you did remind him right before we started recording.

SPEAKER_05 10:50 - 10:54

Yeah, but you know what you have to do is you have to hold up a sign that says pause because I'm a busy man.

SPEAKER_05 10:54 - 10:54

Okay.

SPEAKER_05 10:54 - 10:56

And I get excited when it's Ryan Reynolds.

SPEAKER_05 10:56 - 10:57

Okay.

SPEAKER_05 10:57 - 10:57

All right.

SPEAKER_05 10:57 - 10:58

Let's give you the pause.

SPEAKER_05 10:58 - 10:58

All right.

SPEAKER_05 10:59 - 11:00

I'm thrilled he's here today.

SPEAKER_06 11:08 - 11:09

Ryan Reynolds.

SPEAKER_06 11:09 - 11:09

Welcome.

SPEAKER_06 11:09 - 11:11

Oh, the mouth noises.

SPEAKER_05 11:11 - 11:26

I have to say, and this is, there's no rhyme or reason to these interviews, but I've talked to you about this a while ago.

SPEAKER_05 11:27 - 11:28

Just Friends.

SPEAKER_05 11:28 - 11:30

I watched that with my wife.

SPEAKER_05 11:31 - 11:34

It was a movie that may have been mismarketed.

SPEAKER_05 11:34 - 11:38

I don't understand, you know, it came out, didn't make a big splash.

SPEAKER_05 11:38 - 11:43

One of my favorite Christmas comedies, it has so many hilarious performances in it.

SPEAKER_05 11:43 - 11:45

And then we showed it to our kids.

SPEAKER_05 11:45 - 11:46

So good.

SPEAKER_05 11:46 - 11:49

I mean, but everybody, it is a relentlessly funny movie.

SPEAKER_05 11:50 - 11:55

And I remember telling you a bunch of years ago, I swear to God, that movie will endure.

SPEAKER_05 11:55 - 11:56

It's going to, it's going to stick around.

SPEAKER_04 11:57 - 11:59

And you don't know about those kinds of movies.

SPEAKER_04 11:59 - 12:00

I mean, you never know.

SPEAKER_04 12:00 - 12:02

You don't know when you're making it, you're going to like, this is going to work.

SPEAKER_04 12:02 - 12:03

This is not going to work.

SPEAKER_04 12:03 - 12:08

You could, when you're older, I think you can trust your experience and your instincts that line up.

SPEAKER_04 12:08 - 12:10

But then when you're older, you also go, nobody knows anything.

SPEAKER_04 12:11 - 12:16

So, but Just Friends, I, God, that was, we shot in Regina, Saskatchewan.

SPEAKER_04 12:16 - 12:28

It's one of my few times that I've ever been scared of like going to jail because we, just as a joke, me and the art department, we made a sign that would go over, it would snap over the welcome to Regina sign.

SPEAKER_04 12:28 - 12:31

And it's just said, welcome to Regina, which rhymes with fun.

SPEAKER_04 12:33 - 12:35

And they, I got in trouble though.

SPEAKER_04 12:36 - 12:36

You got in trouble?

SPEAKER_04 12:36 - 12:39

But then they thought it was funny because it snapped off.

SPEAKER_04 12:39 - 12:40

So at first it was vandalism.

SPEAKER_04 12:40 - 12:41

Right.

SPEAKER_04 12:41 - 12:42

And then it was, then it was class.

SPEAKER_05 12:42 - 12:43

Then it was an art installment.

SPEAKER_05 12:44 - 12:44

Yeah.

SPEAKER_05 12:44 - 12:45

That could come down.

SPEAKER_04 12:45 - 12:46

And I come from RCMP.

SPEAKER_04 12:46 - 12:50

My dad, my brother is currently an RCMP officer.

SPEAKER_04 12:51 - 12:53

We, I always say, you guys should just say agent.

SPEAKER_04 12:53 - 12:54

It sounds better.

SPEAKER_04 12:54 - 12:55

You're an RCMP agent.

SPEAKER_05 12:55 - 12:58

Isn't that Royal Canadian Mounted Police?

SPEAKER_05 12:58 - 12:58

Yeah.

SPEAKER_05 12:58 - 13:04

I believe I was a Royal Mounted Policeman in Canada.

SPEAKER_05 13:05 - 13:08

We did a week of shows in Toronto a long time ago.

SPEAKER_05 13:08 - 13:17

And one of the remotes I shot, I either was sworn in temporarily or we just stole the costume.

SPEAKER_05 13:17 - 13:20

Either way, I operated at the border.

SPEAKER_05 13:20 - 13:25

I threw snowballs at people trying to come in and out of Canada, dressed in that outfit.

SPEAKER_05 13:25 - 13:29

And man, I've never felt more power in my life.

SPEAKER_05 13:29 - 13:29

And polite.

SPEAKER_05 13:29 - 13:30

And polite.

SPEAKER_05 13:30 - 13:30

Yep.

SPEAKER_05 13:31 - 13:34

I had pancakes in my pocket instead of a gun.

SPEAKER_05 13:34 - 13:34

Yep.

SPEAKER_05 13:35 - 13:36

Yes, exactly.

SPEAKER_05 13:36 - 13:38

Syrup, little cartridges of syrup.

SPEAKER_04 13:38 - 13:38

Yeah.

SPEAKER_04 13:38 - 13:40

My dad used to bust guys with confetti.

SPEAKER_04 13:42 - 13:46

He would just like walk up and throw the confetti at you.

SPEAKER_04 13:47 - 13:49

And it's always fun when you and your brother have three older brothers.

SPEAKER_04 13:50 - 13:50

So it's just mayhem.

SPEAKER_04 13:51 - 13:51

It's actual mayhem.

SPEAKER_04 13:51 - 13:55

I mean, this is a horrible situation because I'm the youngest, so I'm the moving target.

SPEAKER_04 13:56 - 13:57

They're brothers.

SPEAKER_04 13:57 - 13:59

You know, I'm just the moving target.

SPEAKER_04 13:59 - 14:01

Or harvestable organs.

SPEAKER_04 14:01 - 14:06

And, you know, we would, but as I got older, we would get out in the, on the lawn.

SPEAKER_04 14:06 - 14:12

And it would be like an old-fashioned, like, Tom Cruise in Far and Away with the, like, the knuckles up.

SPEAKER_04 14:12 - 14:14

And we would just beat the living shit out of each other.

SPEAKER_04 14:15 - 14:17

The neighbor would call the cops and the cop would be my dad.

SPEAKER_04 14:20 - 14:22

And that's not a cop we wanted to mess with.

SPEAKER_07 14:22 - 14:22

Oh, my God.

SPEAKER_04 14:22 - 14:29

Yeah, but my dad got out of copping, you know, I don't, I mean, he wasn't big on the truth, so I don't know why.

SPEAKER_04 14:31 - 14:36

But he, yeah, he got out of copping and then became a food broker, which we're like, come on, that's CIA, right?

SPEAKER_04 14:37 - 14:37

Yes.

SPEAKER_04 14:37 - 14:40

And he's like, no, I really am a middleman for jars of jam.

SPEAKER_04 14:41 - 14:43

And, uh, and tiny yogurts.

SPEAKER_05 14:43 - 14:43

What?

SPEAKER_05 14:44 - 14:45

He works for Meghan Markle.

SPEAKER_04 14:46 - 14:47

Yes, yes.

SPEAKER_05 14:47 - 14:48

Really tiny jams.

SPEAKER_05 14:49 - 14:50

Harvestable jams.

SPEAKER_04 14:50 - 14:51

Yes, exactly.

SPEAKER_05 14:51 - 14:53

Made from the oils of Montecito.

SPEAKER_05 14:53 - 14:56

If Jimbo Reynolds wasn't dead, I would say he is Meghan Markle.

SPEAKER_04 14:56 - 14:57

Adjacent.

SPEAKER_05 14:58 - 14:59

Many people have likened the two.

SPEAKER_05 15:00 - 15:01

There's so much to talk about here.

SPEAKER_05 15:01 - 15:16

I am thrilled that you've come on the pod and, you know, you fascinate me because and anger me and enrage me because you have the leading man looks and all the abilities that come with being a movie star.

SPEAKER_05 15:16 - 15:24

But when you send me a text, it is one of the funniest written texts that I've received.

SPEAKER_05 15:24 - 15:34

And I read, you blasted me a couple of weeks ago with these texts and I was reading them and I thought, this is a class A comedy writer.

SPEAKER_05 15:34 - 15:36

You have a comedy writer's brain.

SPEAKER_04 15:36 - 15:38

That took me 41 days to compose that one.

SPEAKER_04 15:39 - 15:42

And it was just in case before that I had no idea I was going to be on the show.

SPEAKER_04 15:42 - 15:44

I could tell it took a long time to compose.

SPEAKER_04 15:45 - 15:47

You said day nine at one point.

SPEAKER_04 15:47 - 15:49

You broke up the sentences.

SPEAKER_04 15:49 - 15:50

Day nine.

SPEAKER_04 15:50 - 15:52

Me, Wilson, you.

SPEAKER_04 15:52 - 15:59

I, uh, I basically, uh, I think it was about like the, you know, uh, dwindling licensing rights of the Academy Awards show.

SPEAKER_04 16:00 - 16:00

Yeah.

SPEAKER_04 16:00 - 16:03

How the fate of the future of film and television, of course, is on your shoulders.

SPEAKER_04 16:03 - 16:04

Please don't fuck this up.

SPEAKER_04 16:05 - 16:11

Uh, there are a few hundred thousand people who are like, you know, very selfish and dependent upon, you know, food and shelter.

SPEAKER_04 16:11 - 16:11

Yes, yes, yes.

SPEAKER_04 16:12 - 16:13

And, uh, you know, adequate medical attention.

SPEAKER_05 16:13 - 16:21

I was, I was reading this thing and I don't ever do this, but you sent me this really funny and my son, my son, uh, loves your work.

SPEAKER_05 16:22 - 16:27

Really loves Deadpool and, uh, he is a 19 year old gentleman.

SPEAKER_05 16:27 - 16:31

And I just said, I never do this, but read this email.

SPEAKER_05 16:31 - 16:33

And he was laughing out loud.

SPEAKER_07 16:33 - 16:34

Oh, that's great.

SPEAKER_05 16:34 - 16:34

No, no.

SPEAKER_05 16:34 - 16:45

I mean, just, uh, it's really funny because I don't know you're in a class by yourself of people that can, I think, work both ends of that spectrum.

SPEAKER_05 16:45 - 16:46

It's lonely at the top.

SPEAKER_04 16:47 - 16:48

Oh, I know.

SPEAKER_04 16:48 - 16:49

I know you know.

SPEAKER_04 16:49 - 16:50

We're up there together just holding each other.

SPEAKER_05 16:50 - 16:53

No, no, I meant a different top.

SPEAKER_05 16:53 - 16:53

Oh, sorry.

SPEAKER_04 16:53 - 16:55

You're at, you're at the big top.

SPEAKER_05 16:55 - 16:55

Yeah, yeah, yeah.

SPEAKER_05 16:55 - 16:56

You're at that top.

SPEAKER_05 16:56 - 16:57

I thought you meant.

SPEAKER_05 16:57 - 16:58

You're at the top of like Everest.

SPEAKER_05 16:58 - 16:58

Oh.

SPEAKER_05 16:58 - 17:00

I'm at the top of a hill.

SPEAKER_05 17:02 - 17:02

An anthill.

SPEAKER_05 17:02 - 17:03

Oh, no, quite a hill.

SPEAKER_05 17:03 - 17:04

Oh, so no.

SPEAKER_04 17:05 - 17:06

I'm in the prairies, Canada.

SPEAKER_04 17:06 - 17:10

I'm in Moose Jaw, Saskatchewan, where the tallest hill is the curb.

SPEAKER_05 17:12 - 17:14

I can see my house from the curb.

SPEAKER_05 17:15 - 17:17

No, yeah, I, I, well, that's a very kind thing.

SPEAKER_05 17:17 - 17:25

No, no, no, I, I, I know you, you, you, you're not going to like a compliment, but, um, uh, your facility and also it's so perfect.

SPEAKER_05 17:25 - 17:32

I know it took you forever to get, uh, Deadpool made and there's a whole saga of you saying, we, I've, I know how to do this.

SPEAKER_05 17:32 - 17:35

This needs to be a movie and I can't believe it took so long to make.

SPEAKER_05 17:35 - 17:49

Like, but the Deadpool's facility with language and his sort of rubber, it's not just physical rubber man quality, but also the verbal alacrity you have to have.

SPEAKER_05 17:49 - 17:50

You've got that.

SPEAKER_05 17:50 - 17:52

And I'm thinking that's because your brothers beat you.

SPEAKER_05 17:53 - 17:53

Yes.

SPEAKER_05 17:53 - 17:55

Because I had older brothers too that beat me.

SPEAKER_05 17:56 - 17:56

Yes.

SPEAKER_05 17:56 - 17:58

And I don't have as much of it as you.

SPEAKER_05 17:58 - 17:59

They weren't as strong as your brothers.

SPEAKER_05 18:00 - 18:01

And my dad was a microbiologist.

SPEAKER_05 18:02 - 18:02

So he couldn't.

SPEAKER_05 18:02 - 18:03

Fuck off.

SPEAKER_05 18:04 - 18:07

So I'm saying he couldn't come in with that heavy cop energy.

SPEAKER_05 18:08 - 18:13

My dad came in every now and then with like a slide of a paramecium and he'd say, now that's enough of that.

SPEAKER_05 18:13 - 18:14

Yes.

SPEAKER_05 18:14 - 18:16

I'll release this paramecium.

SPEAKER_05 18:16 - 18:17

Spare the rod.

SPEAKER_03 18:18 - 18:18

Exactly.

SPEAKER_03 18:18 - 18:19

Spoiler the child with paramecium.

SPEAKER_05 18:19 - 18:28

So what I'm saying is you developed, you evolved into a higher being because you had more, more to contend with.

SPEAKER_05 18:28 - 18:29

That's what I say to you, sir.

SPEAKER_04 18:29 - 18:32

I have exited some rooms through drywall.

SPEAKER_04 18:33 - 18:33

I'll say that.

SPEAKER_04 18:34 - 18:40

And my, you know, my father was, yeah, he was definitely very, well, I'm just going to say it emotionally abusive.

SPEAKER_04 18:40 - 18:41

But no.

SPEAKER_03 18:41 - 18:41

Jesus.

SPEAKER_03 18:42 - 18:42

No, no, no.

SPEAKER_04 18:42 - 18:43

I'm not going to.

SPEAKER_04 18:43 - 18:48

My dad was, it's actually odd because my dad was tough and he was very, very like coiled.

SPEAKER_04 18:49 - 18:56

And I think when you, as you get older and he's been, he's passed away for, I don't know, 10 years now or so.

SPEAKER_04 18:57 - 18:58

Cause of death, uncertain.

SPEAKER_04 18:58 - 19:01

No, he died of something tragic.

SPEAKER_04 19:01 - 19:02

But anyway, it was.

SPEAKER_05 19:03 - 19:05

How do you get laughs with that line?

SPEAKER_04 19:05 - 19:06

You shouldn't.

SPEAKER_04 19:07 - 19:09

He died of something tragic.

SPEAKER_05 19:09 - 19:11

Big laugh from this side of the room.

SPEAKER_04 19:11 - 19:13

Out of trust, I'm going to leave a large air hole now.

SPEAKER_04 19:14 - 19:21

Okay, and as I was saying, you know, he was, he was, the story changes when people pass away too.

SPEAKER_04 19:21 - 19:28

It's like your, your memory becomes like a, less of a reliable narrator and it's becomes more of a feeling.

SPEAKER_04 19:28 - 19:32

Like I was, you know, I've been, I'm pushing 50 here.

SPEAKER_04 19:32 - 19:35

I've had some experience, some experience under my belt.

SPEAKER_04 19:35 - 19:40

And I, I'm listening to, I'm realizing I don't know as much now as I thought I did then.

SPEAKER_04 19:40 - 19:49

So when I think about my dad and I think about how I internalized, however, he was raising me and the kid, the other brothers and certainly his relationship with my mom.

SPEAKER_04 19:49 - 19:52

It's not what it, I started asking myself, is that true?

SPEAKER_04 19:53 - 19:53

Yeah.

SPEAKER_04 19:53 - 19:54

Is that true?

SPEAKER_04 19:54 - 19:57

Was he really that or was that more romantic to think of it like that?

SPEAKER_04 19:57 - 19:59

And he was not great in some ways.

SPEAKER_04 19:59 - 20:01

And in other ways, he was, he was great.

SPEAKER_04 20:01 - 20:02

Like he really was.

SPEAKER_04 20:02 - 20:06

And I think it just, in time that changed, when you die, they will love you.

SPEAKER_04 20:08 - 20:09

We don't have to worry about that.

SPEAKER_04 20:10 - 20:13

We will not have to worry about that for four years.

SPEAKER_04 20:13 - 20:15

So let's just settle down, everybody.

SPEAKER_04 20:15 - 20:16

It's going to be like an ex-president.

SPEAKER_04 20:16 - 20:18

He's going to have a huge effigy built.

SPEAKER_04 20:18 - 20:23

The Conan O'Brien Library of, the Bruce Valanche log.

SPEAKER_04 20:25 - 20:28

The Conan O'Brien, Bruce Valanche Bible.

SPEAKER_05 20:28 - 20:29

He'll be giving the tours.

SPEAKER_05 20:30 - 20:30

Oh God, yeah.

SPEAKER_05 20:31 - 20:35

No, it's, it's interesting you say that because I have the same experience.

SPEAKER_05 20:35 - 20:38

First of all, my therapist would say your dad did the best he could.

SPEAKER_05 20:38 - 20:41

And then I would say to my therapist, no, he didn't.

SPEAKER_04 20:41 - 20:41

Oh, wow.

SPEAKER_04 20:41 - 20:42

See, I'd cry.

SPEAKER_05 20:42 - 20:43

And then we'd fight.

SPEAKER_05 20:43 - 20:45

But, but let that sit for a second.

SPEAKER_05 20:45 - 20:47

Your dad did the best he could given what he had.

SPEAKER_05 20:48 - 20:48

Yeah, he did.

SPEAKER_04 20:48 - 20:49

But he really did.

SPEAKER_04 20:49 - 20:53

My dad, my dad's, my dad's dad would come home from his job.

SPEAKER_04 20:53 - 20:57

He was like a city councilman in Alberta and then moved to British Columbia.

SPEAKER_04 20:57 - 21:03

They bought their house for, I don't know, like a half glass of water and spit and like lived in this house.

SPEAKER_04 21:04 - 21:08

But he would get out there and mow the lawn after work and he'd take his jacket off, not his tie.

SPEAKER_04 21:08 - 21:13

And he would fold his shirt up one cuff and then mow the lawn.

SPEAKER_04 21:13 - 21:16

Like this is, this is not a man who knows how to fuck.

SPEAKER_03 21:16 - 21:23

So, you know, like very like conservative, right?

SPEAKER_03 21:23 - 21:26

I mean, very conservative.

SPEAKER_03 21:26 - 21:26

Well, wait a minute.

SPEAKER_05 21:27 - 21:32

Maybe he just put up one and then the other and then jackhammer.

SPEAKER_05 21:34 - 21:35

A Makita power drill.

SPEAKER_05 21:37 - 21:42

I mean, I'm saying a lot of people assume I might fall in that category.

SPEAKER_05 21:42 - 21:49

But what I do is I put one and then I put the other up, loosen the tie a little.

SPEAKER_04 21:49 - 21:51

And I show them how the Vikings took Iceland.

SPEAKER_04 21:52 - 21:53

Yes.

SPEAKER_04 21:55 - 21:55

No.

SPEAKER_04 21:57 - 21:58

So that's where he came from.

SPEAKER_04 21:58 - 21:58

Is that how they did it?

SPEAKER_04 21:58 - 21:59

Yeah.

SPEAKER_04 21:59 - 22:01

It's like every bully has a bully, right?

SPEAKER_04 22:01 - 22:09

You know, so he had those elements, but he also was, he showed up, you know, he once went a long, long time without speaking to me and it was over something, yeah, something trivial and dumb.

SPEAKER_04 22:10 - 22:19

And then he, but he would never miss a game, never miss a football game, never miss a baseball game, always there for a catch, even though it'd be silent and super fucking awkward.

SPEAKER_04 22:20 - 22:20

He would do it.

SPEAKER_04 22:20 - 22:21

Yeah.

SPEAKER_04 22:21 - 22:30

And, and he had that, that guy had a right arm that you would not believe he had a, he could, he broke the little bone in my finger.

SPEAKER_04 22:30 - 22:33

I had to switch to a catcher's mitt and he did that underhand.

SPEAKER_04 22:34 - 22:37

Like, so when people are like, Oh, that's a softball question.

SPEAKER_04 22:37 - 22:40

I was like, have you ever fucking caught a softball from Jim Reynolds?

SPEAKER_04 22:42 - 22:43

No, you haven't.

SPEAKER_04 22:43 - 22:45

Shut up about that sport.

SPEAKER_04 22:47 - 22:49

God, if pickleball were around, there'd be a lot of dead people.

SPEAKER_05 22:49 - 22:56

So my question is, did your dad get, obviously, I think the answer is yes.

SPEAKER_05 22:56 - 23:05

He must've seen your career blow up and was it unalloyed joy or was it complicated?

SPEAKER_04 23:06 - 23:08

No, it was joy.

SPEAKER_04 23:08 - 23:17

Once I kind of, in his eye, whatever his measure of making it means, uh, then it was, except, you know, he didn't go to university, but he didn't talk about that.

SPEAKER_04 23:17 - 23:21

He had Parkinson's and he said the word Parkinson's maybe three times in his life.

SPEAKER_04 23:22 - 23:24

Also, former boxer, former, who knows what, you know.

SPEAKER_04 23:24 - 23:32

Um, so he was very reserved with that, with praise, which is why I have an insatiable desire for validation.

SPEAKER_04 23:32 - 23:35

So, uh, we can unpack that later.

UNKNOWN 23:36 - 23:36

Never.

SPEAKER_04 23:37 - 23:39

I love you guys.

SPEAKER_04 23:39 - 23:39

You don't need that.

SPEAKER_05 23:40 - 23:41

Well, I don't know what you're talking about.

SPEAKER_05 23:42 - 23:42

Yeah.

SPEAKER_05 23:42 - 23:44

Someone who has no need for validation.

SPEAKER_04 23:44 - 23:45

Absolutely not.

SPEAKER_04 23:45 - 23:51

Uh, but he, he would, when I made quote unquote made it, uh, I think then he accepted it.

SPEAKER_04 23:51 - 23:53

He was very bummed that I didn't go to university.

SPEAKER_04 23:53 - 23:54

I did though.

SPEAKER_04 23:54 - 23:55

I went for, I'm not making this up.

SPEAKER_04 23:55 - 23:56

I went for 45 minutes.

SPEAKER_04 23:57 - 23:58

I wanted to meet the one teacher.

SPEAKER_04 23:58 - 24:01

He was like a guy that, uh, Dr. McLean was his name.

SPEAKER_04 24:01 - 24:02

He was a, he got his doctorate in prison.

SPEAKER_04 24:03 - 24:09

Uh, he was, I think a hell's angel or something, but went to jail for, uh, 20 years or something, long time.

SPEAKER_04 24:09 - 24:13

And then, but got his education in jail and became an author and wrote a book.

SPEAKER_04 24:14 - 24:15

And I read this book.

SPEAKER_04 24:15 - 24:15

I went there.

SPEAKER_04 24:16 - 24:16

I met him.

SPEAKER_04 24:16 - 24:19

Beautiful, uh, lots of prison tattoos, but also beautiful pastel sweater.

SPEAKER_04 24:20 - 24:27

And, uh, and then I walked back out the door, uh, of Kwantlen, uh, Polytechnic University in, uh, British Columbia.

SPEAKER_04 24:27 - 24:28

And I drove to Los Angeles.

SPEAKER_05 24:29 - 24:35

So you went in knowing I'm going to meet this one gentleman and then I'm turning around and I'm going to Los Angeles.

SPEAKER_04 24:35 - 24:35

Yes.

SPEAKER_05 24:36 - 24:36

Okay.

SPEAKER_04 24:36 - 24:41

So you knew, um, well, no, no, I really knew once I was inside, I just thought, I'm not ready for this.

SPEAKER_04 24:42 - 24:43

Like, I don't think I can do this.

SPEAKER_04 24:43 - 24:48

I only had one brother who really was adamant about going to university and it stressed the hell out of him.

SPEAKER_04 24:48 - 24:51

And I just thought, I don't want to be a food broker.

SPEAKER_04 24:52 - 24:55

So, uh, and you don't, my dad did it without a university education.

SPEAKER_04 24:56 - 24:57

So, uh.

SPEAKER_05 24:57 - 24:59

Did you do Groundlings when you got to LA?

SPEAKER_05 24:59 - 25:00

I think you did.

SPEAKER_04 25:00 - 25:03

I did do Groundlings, but I moved to LA to be in Groundlings.

SPEAKER_04 25:03 - 25:05

And I, of course it doesn't work like that.

SPEAKER_04 25:05 - 25:07

You don't just show up and go ready for the main stage, everyone.

SPEAKER_04 25:08 - 25:09

Um, you know, I can give you strides.

SPEAKER_04 25:09 - 25:10

I can give you everything you want.

SPEAKER_04 25:10 - 25:12

Um, no, you go through the class.

SPEAKER_04 25:12 - 25:13

That's what I did.

SPEAKER_04 25:13 - 25:13

I did it.

SPEAKER_05 25:13 - 25:18

When I showed up in LA and I was like, I'm ready to perform.

SPEAKER_05 25:18 - 25:20

And they said, you will take these classes.

SPEAKER_05 25:20 - 25:20

Yes.

SPEAKER_05 25:20 - 25:21

And I said, yes, I will.

SPEAKER_05 25:21 - 25:22

Yes, you will.

SPEAKER_05 25:22 - 25:25

And, uh, I did, but at least I got stage time.

SPEAKER_05 25:25 - 25:26

That's the thing.

SPEAKER_05 25:26 - 25:29

And got to improvise with some great people.

SPEAKER_04 25:29 - 25:30

Well, they're so good.

SPEAKER_04 25:30 - 25:32

They're all so in shape and they're like, you know what I mean?

SPEAKER_04 25:32 - 25:34

That's a, that's a muscle, like that kind of ability.

SPEAKER_01 25:34 - 25:35

I thought you meant physically.

SPEAKER_04 25:35 - 25:35

Physically.

SPEAKER_01 25:36 - 25:36

No, no, no, no.

SPEAKER_01 25:36 - 25:37

God, these are comedians.

SPEAKER_01 25:37 - 25:38

No, I've never been in shape.

SPEAKER_01 25:38 - 25:39

That's why I was confused.

SPEAKER_01 25:39 - 25:40

Yeah, yeah, yeah.

SPEAKER_01 25:40 - 25:41

No, no, no, no, no, no.

SPEAKER_04 25:41 - 25:44

They get home and just vanish into a jar of, you know, so no.

SPEAKER_05 25:45 - 25:52

But I would think you as an improviser, that would be, I could see you being devastating as an improviser.

SPEAKER_05 25:52 - 25:54

I think it would be, yeah, that'd be your fun space.

SPEAKER_05 25:55 - 25:59

Just, I mean, just in the times that I've encountered you, we start fucking around instantly.

SPEAKER_05 25:59 - 26:05

And I could see like, oh, this is someone who wants to play 24 seven is the vibe that you give.

SPEAKER_04 26:05 - 26:06

I don't know if that's true.

SPEAKER_04 26:06 - 26:16

Yeah, but also it's, I would say that you are a person that does it as well, but you can also pivot quite quickly to something that's emotional because most people that are funny, I think have some pretty, you know, deeply emotional people as well.

SPEAKER_04 26:16 - 26:19

I think like comedy and drama subsist on the same thing.

SPEAKER_04 26:19 - 26:22

Tension, subverting it makes, moves you.

SPEAKER_04 26:22 - 26:29

And if you have a, like a film that has emotion, then you can, or anything, redemption, call whatever you want, but it makes all that funny.

SPEAKER_04 26:29 - 26:32

Stuff so much more funny and rich and powerful.

SPEAKER_04 26:32 - 26:34

So I loved Groundlings when I did do their shows.

SPEAKER_04 26:34 - 26:38

I used to do it like a once in a while, like a Thursday cooking with gas show they had.

SPEAKER_04 26:38 - 26:41

And, um, and I would do, I think I did Armando a couple of times here.

SPEAKER_04 26:42 - 26:48

And then I loved it because there was no limit to it, but on a film set, I don't want to, I like, it's almost like method acting.

SPEAKER_04 26:48 - 26:55

I'm not going to like, when people are coming on a film set, a Deadpool film, anything, I'm not going to make my process their process.

SPEAKER_04 26:55 - 26:55

Right.

SPEAKER_04 26:55 - 26:57

So like, I'd never want to be that guy.

SPEAKER_04 26:57 - 27:03

So I always, I always chat and we talk and we say, okay, so how, how can I help you feel awesome?

SPEAKER_04 27:04 - 27:15

And like, you know, even an actor who's a day player who comes in, um, for one day, it's a, that's a hard, that's the hardest job in show business because he's got two lines and he's going to over the fuck do it.

SPEAKER_04 27:15 - 27:20

Like you wouldn't believe it because in his mind, you know, there's no small parts, just small actors.

SPEAKER_04 27:20 - 27:22

I got to crush the shit out of this.

SPEAKER_04 27:22 - 27:27

And then you, you, but you, if you can make it safe, I always love the, uh, your soup,

SPEAKER_03 27:27 - 27:27

sir.

SPEAKER_03 27:27 - 27:28

Yeah.

SPEAKER_03 27:28 - 27:28

Oh yeah.

SPEAKER_04 27:29 - 27:37

We're going to liquefy you and I'm going to snort your ashes on the top of the Plastibouge.

SPEAKER_04 27:38 - 27:39

Oh my God.

SPEAKER_04 27:39 - 27:41

Just to say I did it.

SPEAKER_03 27:41 - 27:41

Yeah.

SPEAKER_03 27:41 - 27:42

Yeah.

SPEAKER_04 27:42 - 27:43

Um, uh, yeah.

SPEAKER_04 27:43 - 27:52

And, but I, I always say to them when we're, when they're leaving, you say, Hey, look, if you, excuse me that moment, you're gonna drive home and yeah, when day players, you, you, you drive yourself home.

SPEAKER_04 27:52 - 28:00

Uh, and, uh, you, uh, you, you have to touch everything in the car too, by the way, uh, you, you're going to get in that car and you're gonna go, I should, fuck, I should have done that.

SPEAKER_04 28:01 - 28:05

And then I was like, then we go like, okay, take 10 minutes and think about what that is.

SPEAKER_04 28:06 - 28:06

Yeah.

SPEAKER_04 28:06 - 28:07

And then let's go do that.

SPEAKER_04 28:07 - 28:09

And it was like this fun little trick.

SPEAKER_04 28:09 - 28:10

And then you do that.

SPEAKER_04 28:10 - 28:12

And then you say, now do the worst version you can do.

SPEAKER_04 28:12 - 28:14

Like, I'm telling you, you're safe.

SPEAKER_04 28:14 - 28:15

We'd never use the worst version.

SPEAKER_04 28:15 - 28:17

You trust me, but like do the worst.

SPEAKER_04 28:17 - 28:18

And then that's always the take.

SPEAKER_04 28:19 - 28:23

Because now you're, you've, you've basically said like you're safe as you could ever imagine.

SPEAKER_04 28:24 - 28:25

And there's an, I love that feeling.

SPEAKER_04 28:25 - 28:29

So I'm not like a, I, my improv is like, right.

SPEAKER_04 28:29 - 28:37

I've written 10 alts for each joke, but not just for me, but for my co-stars or, you know, and it's a, well, would you, here's the menu.

SPEAKER_04 28:37 - 28:38

Is there anything you'd like here?

SPEAKER_04 28:38 - 28:42

Or Wesley Snipes was like, nope, nope, nope, nope, nope, nope, nope, nope.

SPEAKER_04 28:42 - 28:44

I was like, you did not read that fast.

SPEAKER_02 28:45 - 28:47

Come on, this one had a beginning, middle, and end.

SPEAKER_05 28:48 - 28:49

Like, come on.

SPEAKER_05 28:50 - 28:52

Wesley Snipes has gotten pretty far on nope.

SPEAKER_04 28:52 - 28:52

Yeah.

SPEAKER_04 28:53 - 28:53

Oh my God.

SPEAKER_04 28:53 - 28:54

But then he, then he delivered.

SPEAKER_04 28:54 - 28:56

He was like, you know, I gave him that hit.

SPEAKER_04 28:56 - 28:57

This ice skate uphill line.

SPEAKER_04 28:57 - 28:58

He was like, I'll do it.

SPEAKER_04 28:58 - 28:59

There was great.

SPEAKER_05 29:04 - 29:16

When I watched, uh, Deadpool and, and Wolverine, the, I mean, I'm just, I'm, I'm thinking the credit sequence at the top.

SPEAKER_04 29:17 - 29:19

That served nine purposes pretty much, but yes.

SPEAKER_05 29:19 - 29:25

I'm hard pressed to think of, um, how much was packed into one film and to just be watching.

SPEAKER_05 29:25 - 29:36

So my son and I love that we were going to that movie and something went awry and we got there and I just said, oh, trust me, we're just going to miss like two seconds up top.

SPEAKER_05 29:37 - 29:41

And we missed, I think we missed like 45 seconds of the opening.

SPEAKER_05 29:41 - 29:42

That would have hurt.

SPEAKER_02 29:42 - 29:43

That would kill me if I knew that.

SPEAKER_05 29:43 - 29:43

And you know what?

SPEAKER_05 29:43 - 29:47

It killed me to the point that we went back and watched it later on.

SPEAKER_05 29:47 - 29:59

But it's rare that you can miss 45 seconds of a movie at the top and feel like, oh shit, I'd miss some sweet, sweet syrup because the whole thing was jam-packed.

SPEAKER_04 29:59 - 30:02

You just missed me singing along to the Marvel theme song.

SPEAKER_04 30:02 - 30:04

The bum, bum, bum, bum, bum, bum.

SPEAKER_04 30:05 - 30:05

Marvel.

SPEAKER_04 30:05 - 30:06

They're so stupid.

SPEAKER_04 30:06 - 30:08

You know, give me my own movie.

SPEAKER_04 30:08 - 30:11

You know, uh, but it was, they were, they were amazing.

SPEAKER_04 30:11 - 30:17

You could like make, I mean, Bob Iger was, you know, he, he saw the film and the first time he saw the film, it was in pretty good shape.

SPEAKER_04 30:17 - 30:22

And he, and he, he said, uh, I gotta, you gotta, you gotta, you gotta remove the one line, Ryan.

SPEAKER_04 30:22 - 30:23

And I was like, what, what line?

SPEAKER_04 30:23 - 30:25

He's like, you know the line.

SPEAKER_04 30:25 - 30:27

And I went, Mickey Mouse?

SPEAKER_04 30:27 - 30:28

He's like, yeah.

SPEAKER_04 30:29 - 30:29

Yeah.

SPEAKER_04 30:29 - 30:33

And I was like, the Bob, the whole movie orbits around that line.

SPEAKER_04 30:34 - 30:39

Like when that line is the film, it's the thrust, the thesis, it's everything.

SPEAKER_04 30:39 - 30:44

And it's because my brain, when he says the one line is like, precious.

SPEAKER_07 30:44 - 30:44

Yes.

SPEAKER_07 30:45 - 30:46

Must keep on.

SPEAKER_04 30:47 - 30:52

Uh, and so I really had to kind of like walk around his office a little bit to a couple of laps and then it was fine.

SPEAKER_04 30:52 - 30:53

We were good.

SPEAKER_04 30:53 - 30:57

We switched it up and he was just, he just didn't want to Mickey Mouse, the Mickey Mouse joke in.

SPEAKER_04 30:57 - 31:05

And I, and now it got, I, not because of me, they released this script for like WGA, uh, you know, awards season and stuff.

SPEAKER_04 31:05 - 31:08

And they, they just shower these kinds of movies with awards.

SPEAKER_04 31:09 - 31:16

So, um, you know, I was dancing behind you and trying to suggest things at the, uh, at the Academy Awards.

SPEAKER_03 31:16 - 31:16

Yes, you were.

SPEAKER_04 31:16 - 31:17

Yes, you were.

SPEAKER_04 31:17 - 31:19

What we're calling the Academy Award situation.

SPEAKER_04 31:19 - 31:19

Yes, yes.

SPEAKER_04 31:19 - 31:22

Uh, you, you were in, um, in the situation.

SPEAKER_05 31:22 - 31:26

I love that nobody knows that when I hosted the Oscars, that really was you as Deadpool.

SPEAKER_05 31:27 - 31:27

Oh my God.

SPEAKER_05 31:27 - 31:31

No one knows, you know, and I love arthritis at this stage.

SPEAKER_05 31:33 - 31:35

They have pills for that too.

SPEAKER_05 31:36 - 31:38

I have a question, which is you have this skillset.

SPEAKER_05 31:38 - 31:43

Did you have an idea of what you wanted your trajectory to be?

SPEAKER_05 31:43 - 31:48

Would you have been happy if TV had hit, uh, and that had worked out?

SPEAKER_05 31:48 - 31:52

Or did you always know, like pretty much where you wanted to end up?

SPEAKER_04 31:52 - 31:53

Well, it's so different now.

SPEAKER_04 31:53 - 31:57

It's like now people who are in film are hoping to gain enough respect to get a TV show.

SPEAKER_04 31:57 - 31:57

Right.

SPEAKER_05 31:57 - 31:59

If I could get white Lotus.

SPEAKER_04 31:59 - 31:59

Oh my God.

SPEAKER_05 32:00 - 32:00

Limited series.

SPEAKER_03 32:01 - 32:01

Yeah.

SPEAKER_04 32:01 - 32:05

Um, yeah, I, I, I know everything happened perfectly.

SPEAKER_04 32:05 - 32:07

My whole career was an aggregate.

SPEAKER_04 32:07 - 32:08

It was very slow.

SPEAKER_04 32:09 - 32:11

It was never, I never experienced that overnight fame thing.

SPEAKER_04 32:11 - 32:27

And I honestly, I, I think about how lucky I am because a lot of the guys that I came into the business with are gone and a lot of them are passed away or like, you know, things took these tragic, you know, turns where you hear about it, you know, one random Wednesday, you're like, what?

SPEAKER_04 32:28 - 32:29

You know, you just can't.

SPEAKER_04 32:29 - 32:29

These are friends of yours?

SPEAKER_04 32:30 - 32:30

Yeah.

SPEAKER_04 32:30 - 32:37

You know, in, in, in Los Angeles when I, when I first met you, I lived in East Hollywood and, and, you know, everyone was partying, everyone was doing, you know, this and that.

SPEAKER_04 32:37 - 32:39

And I, I just, it was, uh, scary.

SPEAKER_04 32:39 - 32:49

It's a scary place to, you know, to, to, to, to, to be young and to have fame and money is a very, very odd combination of things.

SPEAKER_04 32:49 - 32:52

And I, I thankfully was so slow with everything.

SPEAKER_04 32:52 - 32:58

I wasn't, I wouldn't consider like I, I sort of hit it in a way that when you asked me earlier when my dad, he never made it to Deadpool.

SPEAKER_04 32:59 - 33:00

Like he never made it to that coming out.

SPEAKER_04 33:00 - 33:07

He made it to, I was in post-production on, on October 25th in 2015 when he, when he, uh, passed away, it was three months earlier.

SPEAKER_04 33:07 - 33:09

My daughter, James is named for him.

SPEAKER_04 33:09 - 33:10

So he's James Reynolds.

SPEAKER_04 33:11 - 33:13

Um, James does not like it when I call her Jimbo.

SPEAKER_04 33:14 - 33:14

Uh.

SPEAKER_04 33:15 - 33:17

She'll grow to love it.

SPEAKER_04 33:17 - 33:17

James, yes.

SPEAKER_04 33:18 - 33:18

I know.

SPEAKER_04 33:19 - 33:22

Uh, yeah, I'm, and that's our dog, Hawk Tua.

SPEAKER_04 33:23 - 33:23

Um.

UNKNOWN 33:25 - 33:25

Yeah.

SPEAKER_04 33:26 - 33:26

Okay.

SPEAKER_04 33:26 - 33:26

You know what?

SPEAKER_04 33:26 - 33:27

I'm going to stop naming things.

SPEAKER_04 33:28 - 33:28

Yeah.

SPEAKER_04 33:28 - 33:29

Don't name anything anymore.

SPEAKER_05 33:30 - 33:32

Oh, here comes my parakeet, Adolf.

SPEAKER_04 33:32 - 33:33

Yeah.

SPEAKER_04 33:33 - 33:33

Yeah.

SPEAKER_04 33:33 - 33:34

Oh, God.

SPEAKER_04 33:35 - 33:37

Poor sons of bitches around that time, right?

SPEAKER_04 33:37 - 33:39

Who had that, stuck with that name.

SPEAKER_04 33:39 - 33:40

God damn it.

SPEAKER_04 33:41 - 33:43

I mean, we had a feeling at his first speech, right?

SPEAKER_02 33:44 - 33:45

That putsch.

SPEAKER_02 33:45 - 33:45

You know the putsch?

SPEAKER_02 33:46 - 33:46

It was nuts.

SPEAKER_02 33:46 - 33:47

You were nuts.

SPEAKER_04 33:48 - 33:49

Um, yeah, uh, yeah.

SPEAKER_04 33:49 - 33:51

I don't know what the fuck we were talking about, but, uh.

SPEAKER_05 33:52 - 33:55

Well, your trajectory, but you just, you took it one step at a time.

SPEAKER_04 33:55 - 33:55

Yeah.

SPEAKER_04 33:56 - 33:59

And I think it allowed me to enjoy it, like, in, in points.

SPEAKER_04 33:59 - 34:05

I'm always uncomfortable with the thing that I'm also, uh, in, pursuant of, right?

SPEAKER_04 34:05 - 34:07

Like, your fame is a weird thing.

SPEAKER_04 34:07 - 34:08

It has a little power to it.

SPEAKER_04 34:09 - 34:09

It's odd.

SPEAKER_04 34:09 - 34:21

But, like, I, I, I found a way to kind of make myself appreciate that part of it more because I love acknowledging and playing with the cultural landscape, whether it's a movie, a commercial, sports, like, I don't care.

SPEAKER_04 34:21 - 34:23

I just, I don't discriminate.

SPEAKER_04 34:23 - 34:25

I love that they're in all those, all those areas.

SPEAKER_04 34:25 - 34:29

So sharing fame made it way, way less weird for me.

SPEAKER_04 34:29 - 34:32

Like, when, when, like, a kid comes up and says, can I get a selfie with you?

SPEAKER_04 34:32 - 34:34

I'm like, who's the most important person in your life?

SPEAKER_04 34:34 - 34:36

And they're like, uh, my dad, Frank.

SPEAKER_04 34:36 - 34:38

And I'm like, video, switch to a video.

SPEAKER_04 34:38 - 34:41

I'm like, Frank, I'm here with, fuck's your name?

SPEAKER_04 34:41 - 34:45

And I'm like, Will, Will, this is not a hostage situation.

SPEAKER_04 34:45 - 34:46

He's fine.

SPEAKER_04 34:47 - 34:49

But he wants, he, you're the most important person.

SPEAKER_04 34:49 - 34:50

And he's like, you're the one.

SPEAKER_04 34:50 - 34:51

You were the phone a friend.

SPEAKER_04 34:51 - 34:52

That was you.

SPEAKER_04 34:52 - 34:53

You know, and then you let it go.

SPEAKER_04 34:53 - 34:56

It takes just a few seconds longer than a selfie.

SPEAKER_04 34:56 - 34:57

Yes.

SPEAKER_04 34:57 - 34:59

But, like, now it's a fucking memory for them forever.

SPEAKER_04 34:59 - 34:59

Yeah.

SPEAKER_04 34:59 - 35:01

And it's a thing that happens.

SPEAKER_04 35:01 - 35:01

It's a great philosophy.

SPEAKER_04 35:01 - 35:02

And I walk away feeling, like, good about it.

SPEAKER_05 35:02 - 35:03

It's a great philosophy.

SPEAKER_05 35:04 - 35:05

You will attest.

SPEAKER_05 35:05 - 35:09

I, I pursue people who don't want a selfie with me.

SPEAKER_05 35:09 - 35:10

Oh, God.

SPEAKER_05 35:10 - 35:12

And say, come on, you're going to like it.

SPEAKER_05 35:12 - 35:13

It's going to be funny.

SPEAKER_05 35:14 - 35:16

I've chased children into traffic.

SPEAKER_05 35:17 - 35:17

Give me your phone.

SPEAKER_05 35:17 - 35:18

It'll be good.

SPEAKER_05 35:18 - 35:18

It'll be good.

SPEAKER_05 35:19 - 35:20

Who's the most important person in your life?

SPEAKER_05 35:22 - 35:23

I don't know who you are.

SPEAKER_05 35:23 - 35:24

Oh, my God.

SPEAKER_05 35:25 - 35:26

Yeah.

SPEAKER_05 35:26 - 35:29

So, there's a, there's neediness and then there's neediness.

SPEAKER_05 35:29 - 35:31

But, they will enjoy that one day.

SPEAKER_04 35:31 - 35:34

I once made a video for lorazepam.

SPEAKER_04 35:34 - 35:39

You know, I mean, somebody said, lorazepam was the most important thing in their life.

SPEAKER_04 35:39 - 35:41

And I was like, oh, hey, we'll make a video for that.

SPEAKER_04 35:41 - 35:41

Sure.

SPEAKER_04 35:41 - 35:41

I've seen it.

SPEAKER_04 35:41 - 35:42

They air it now.

SPEAKER_04 35:42 - 35:44

That's a lot of money you missed out on.

SPEAKER_04 35:44 - 35:52

And I just want to say, because I have to say this now every time I bring it up, is that if you're having clay-colored stool or any other side effects, please consult a doctor immediately.

SPEAKER_04 35:53 - 35:53

Lorazepam.

SPEAKER_04 35:53 - 35:55

I feel like me again.

SPEAKER_04 35:56 - 35:56

Trademark.

SPEAKER_04 35:57 - 35:58

Fights are corporation.

SPEAKER_04 36:00 - 36:01

You can bleep those out, right?

SPEAKER_04 36:01 - 36:01

No.

SPEAKER_04 36:02 - 36:03

We're going to get that money.

SPEAKER_04 36:03 - 36:03

Okay.

SPEAKER_04 36:04 - 36:04

Thank you very much.

SPEAKER_04 36:05 - 36:05

They got a lot of money.

SPEAKER_04 36:05 - 36:06

We will not share it with you.

SPEAKER_04 36:06 - 36:06

You will get none of it.

SPEAKER_04 36:06 - 36:10

The clay-colored stool thing really cost them a lot, too, because, like, you don't want that.

SPEAKER_04 36:10 - 36:10

You don't.

SPEAKER_05 36:10 - 36:11

Or do you?

SPEAKER_04 36:11 - 36:12

Or do you?

SPEAKER_04 36:12 - 36:13

You can pass it off as clay in our class.

SPEAKER_04 36:13 - 36:29

If you listen to it while you're on the toilet, and you put some Unchained Melody on, and that comes out, you're like, uh, it's never going to happen, but if to me, I'll learn

SPEAKER_05 36:29 - 36:34

a humble for your touch, and Tack is holding you, and you're both on the toilet.

SPEAKER_05 36:34 - 36:35

This is me and Tacky.

SPEAKER_05 36:35 - 36:36

Yeah, it's you, Sona.

SPEAKER_06 36:36 - 36:36

No.

SPEAKER_05 36:37 - 36:37

You're done.

SPEAKER_06 36:38 - 36:39

They have reverse toilets.

SPEAKER_06 36:39 - 36:39

Put me in this.

SPEAKER_06 36:40 - 36:40

Oh, God.

SPEAKER_06 36:40 - 36:41

So you can sit this way.

SPEAKER_06 36:41 - 36:42

Yeah.

SPEAKER_06 36:42 - 36:42

Oh, God.

SPEAKER_06 36:42 - 36:45

I've never done this before, but can we just turn off the mics?

SPEAKER_07 36:46 - 36:47

Just cut it.

SPEAKER_07 36:47 - 36:48

Just cut the hyphen.

SPEAKER_04 36:49 - 36:57

I used to work with a studio executive who will not be named until we stop recording, and he always aimed it at someone, whoever stalks.

SPEAKER_07 36:59 - 37:00

Jesus.

SPEAKER_04 37:00 - 37:00

Is that over here?

SPEAKER_05 37:01 - 37:01

Yeah.

SPEAKER_05 37:01 - 37:02

What do you mean, Jesus?

SPEAKER_05 37:02 - 37:05

I mean, yes, we'll do your idea.

SPEAKER_04 37:05 - 37:05

Yeah, it works.

SPEAKER_05 37:06 - 37:08

It means you don't point your crotch at me.

SPEAKER_04 37:08 - 37:12

I'm going to, yeah, for those at home, Conan just went back in his chair.

SPEAKER_04 37:12 - 37:15

And then aimed his crotch at everyone he was speaking to.

SPEAKER_04 37:16 - 37:17

I learned from the best.

SPEAKER_04 37:17 - 37:18

Yes, he did.

SPEAKER_04 37:19 - 37:20

I do learn from the best.

SPEAKER_04 37:20 - 37:21

And that man could use some underwear.

SPEAKER_04 37:21 - 37:23

I tell you that much because that also is a, yeah.

SPEAKER_05 37:24 - 37:34

We are in a moment where, of course, politically, there's some tension between Canada and the United States over tariffs.

SPEAKER_05 37:34 - 37:36

So what do you guys send us?

SPEAKER_05 37:36 - 37:37

What do we send you?

SPEAKER_05 37:37 - 37:46

And it occurred to me today that we have been getting some of the greatest comedians and comic minds and actors of all time from Canada.

SPEAKER_05 37:46 - 37:49

I don't think we've sent you shit.

SPEAKER_05 37:49 - 37:54

I don't think we've exported much to you in the comedy realm.

SPEAKER_05 37:54 - 38:04

And I think if someone were to do a reckoning just comedically and you started to add up the Ryan Reynolds and the Martin Short and the Lorne Michaels and the Mike Myers.

SPEAKER_05 38:04 - 38:06

And it just goes on and on and on.

SPEAKER_05 38:07 - 38:09

There's too many to even begin naming.

SPEAKER_02 38:09 - 38:12

Seth Rogen went to the high school up the hill for me.

SPEAKER_02 38:12 - 38:12

Yeah.

SPEAKER_02 38:12 - 38:12

There you go.

SPEAKER_02 38:13 - 38:13

No, no.

SPEAKER_02 38:13 - 38:14

Seth Rogen went to high school.

SPEAKER_02 38:16 - 38:16

Oh, my God.

SPEAKER_02 38:17 - 38:18

He can read?

SPEAKER_02 38:18 - 38:18

Yeah.

SPEAKER_05 38:19 - 38:19

Fluent.

SPEAKER_05 38:19 - 38:21

A lot of kids who go to high school can't read.

SPEAKER_04 38:21 - 38:21

No.

SPEAKER_05 38:21 - 38:22

You can pass.

SPEAKER_04 38:22 - 38:24

I had to do a commercial in French Canadian the other day.

SPEAKER_04 38:24 - 38:30

And it was sort of like a very scary thing because when you're in those schools, you have to know French Canadian.

SPEAKER_04 38:30 - 38:31

You have to speak it fluently.

SPEAKER_04 38:31 - 38:32

And it's just, it goes away.

SPEAKER_04 38:33 - 38:34

It just goes away.

SPEAKER_04 38:34 - 38:35

If you don't use it, it's gone.

SPEAKER_04 38:36 - 38:38

So I was trying to do a commercial in French Canadian.

SPEAKER_04 38:38 - 38:38

It's just like everything.

SPEAKER_05 38:38 - 38:39

This is a terrible sob story.

SPEAKER_04 38:39 - 38:40

But all the.

SPEAKER_05 38:40 - 38:41

So you're French Canadian.

SPEAKER_05 38:42 - 38:42

You're strict.

SPEAKER_05 38:43 - 38:45

You should do a really sad tour where you go.

SPEAKER_05 38:45 - 38:46

Like, people think I've got it all.

SPEAKER_04 38:47 - 38:47

No, yeah.

SPEAKER_04 38:47 - 38:47

Ryan Reynolds.

SPEAKER_04 38:47 - 38:49

But I can't speak French Canadian.

SPEAKER_04 38:50 - 38:51

Until I ask for a pastry in Paris.

SPEAKER_04 38:52 - 38:54

And they're like, oh, is that French Canadian?

SPEAKER_04 38:54 - 38:55

You're speaking.

SPEAKER_04 38:55 - 38:56

You need a chocolate pour moi, yeah?

SPEAKER_04 38:58 - 38:58

Yeah.

SPEAKER_04 38:58 - 38:59

No, no, not good.

SPEAKER_04 38:59 - 39:01

We realize that Canada does have, it does have a lot of fun.

SPEAKER_04 39:01 - 39:03

But what I'm saying is you've sent us.

SPEAKER_05 39:03 - 39:04

And then I'm thinking, what have we sent?

SPEAKER_05 39:04 - 39:06

What have we sent you guys?

SPEAKER_05 39:06 - 39:06

It's not a fair.

SPEAKER_05 39:07 - 39:08

There's an imbalance.

UNKNOWN 39:08 - 39:08

Bird float.

SPEAKER_05 39:08 - 39:08

Yeah.

SPEAKER_05 39:09 - 39:09

Yeah.

UNKNOWN 39:09 - 39:09

Bird float.

SPEAKER_05 39:10 - 39:10

Thanks.

SPEAKER_05 39:11 - 39:11

Thank you.

SPEAKER_05 39:11 - 39:13

So there is an imbalance of trade in that respect.

SPEAKER_05 39:14 - 39:15

And that's about as political as I get.

SPEAKER_05 39:15 - 39:16

But I think it's got to stop.

SPEAKER_05 39:16 - 39:18

And it's got to stop now.

SPEAKER_05 39:18 - 39:19

It's got to stop now.

SPEAKER_05 39:19 - 39:20

That's a good, uh.

SPEAKER_05 39:21 - 39:21

Yeah, yeah, yeah.

SPEAKER_04 39:22 - 39:24

I've had the Ackroyd voice in my head all day.

SPEAKER_04 39:24 - 39:26

I can't, yeah, you've heard me doing my bad impression.

SPEAKER_04 39:26 - 39:26

But I can't get it out.

SPEAKER_04 39:27 - 39:28

Now, you've had some.

SPEAKER_04 39:28 - 39:28

I can't get it out.

SPEAKER_04 39:29 - 39:29

Out, out, kid.

SPEAKER_05 39:30 - 39:31

I'll tell you what, kid.

SPEAKER_05 39:32 - 39:32

He is a.

SPEAKER_05 39:32 - 39:32

Fuck off.

SPEAKER_04 39:33 - 39:33

Back to Canada.

SPEAKER_05 39:34 - 39:36

Dan Ackroyd, legendarily funny guy.

SPEAKER_05 39:36 - 39:38

But a, uh, not someone.

SPEAKER_05 39:38 - 39:39

He's an unusual man.

SPEAKER_05 39:40 - 39:42

He's, you don't meet a Dan Ackroyd every day.

SPEAKER_05 39:42 - 39:43

And, um.

SPEAKER_04 39:43 - 39:48

One of the more underrated, though, I think, uh, talents.

SPEAKER_04 39:48 - 39:48

Oh, my God.

SPEAKER_04 39:49 - 39:51

Like one of the smartest people you'll ever talk to.

SPEAKER_04 39:52 - 39:52

Uh, but.

SPEAKER_05 39:53 - 39:53

Yeah.

SPEAKER_05 39:53 - 39:53

Eccentric.

SPEAKER_05 39:53 - 40:06

But we were talking about how his comedic ability to, I mean, he did it on SNL in so many ways, but to fire information out of his mouth, uh, in, in, with great authority and accuracy.

SPEAKER_04 40:06 - 40:08

No one else could do that like him.

SPEAKER_04 40:08 - 40:16

Like he could pump like half of the movie's boring exposition, make it funny, make it entertaining into your mind in like a third of a second.

SPEAKER_04 40:16 - 40:17

It was the.

SPEAKER_04 40:17 - 40:20

I've never seen someone speak as fast as Dan Ackroyd does in Ghostbusters.

SPEAKER_04 40:20 - 40:23

He has this, a speech that must have been that long on the page and it just comes out.

SPEAKER_04 40:24 - 40:25

And you know it, you still hear it all.

SPEAKER_04 40:25 - 40:26

That's the trick.

SPEAKER_04 40:26 - 40:31

And I just think he's, I'm kind of, I think I'm a little obsessed with him in some ways.

SPEAKER_05 40:31 - 40:33

So he invited you to hang with him a little bit, right?

SPEAKER_04 40:33 - 40:34

Yes.

SPEAKER_05 40:34 - 40:36

But then he also wanted you to take off at some point.

SPEAKER_04 40:36 - 40:38

Yeah, you gotta come up, you gotta come up here to Ontario, kid.

SPEAKER_04 40:38 - 40:43

And then we're going to eat a dinner and you're going to sleep over and in the morning we're going to do the interview and you're going to, you're going to fuck off back to where you came from.

SPEAKER_04 40:45 - 40:45

That's what we're going to do, kid.

SPEAKER_04 40:47 - 40:51

Bring an extra order, order Canada pin for me and put it on and we'll do it.

SPEAKER_04 40:51 - 40:51

Let's go.

SPEAKER_05 40:52 - 40:58

You know what I love is there's a reason he made the Dragnet movie because he is Jack Webb in some ways.

SPEAKER_05 40:58 - 41:00

I think he is Jack Webb.

SPEAKER_03 41:00 - 41:00

Oh, 100%.

SPEAKER_05 41:00 - 41:09

Because Jack Webb, if you ever watch old Dragnets, it's all Jack Webb just spitting out all this information, really square cop, 1960s.

SPEAKER_05 41:09 - 41:10

These are Bennys.

SPEAKER_05 41:10 - 41:10

Those are high highs.

SPEAKER_05 41:11 - 41:17

If you have a, in his palm, he would have a list or a whole bunch of pills and he would rattle them out really quickly.

SPEAKER_05 41:18 - 41:18

Those are blue butterflies.

SPEAKER_05 41:20 - 41:22

You know, and it was hilarious.

SPEAKER_05 41:22 - 41:26

And then he did the Dragnet movie with Tom Hanks and it was, he was fantastic at it.

SPEAKER_04 41:26 - 41:30

That was back when like the miscellaneous line item on a, like a production report is just like all cocaine.

SPEAKER_04 41:31 - 41:36

Like, and then you guys spent $80,000 on miscellaneous in one night.

SPEAKER_04 41:36 - 41:37

What the fuck is that?

SPEAKER_04 41:39 - 41:40

That's always the thing.

SPEAKER_04 41:40 - 41:48

Dan, Dan also shows like a thing, a bit that Candy, that John Candy, you know, you saw, I think you saw in Plains, Trains, which is what you're seeing of a performance.

SPEAKER_04 41:48 - 41:59

It's heartbreaking, funny, vulnerable, and all the things, all the reasons I have always been and will always be very much in love with Mr. John Candy.

SPEAKER_04 41:59 - 42:02

But Dan Aykroyd, if you've ever seen Gross Point Blank.

SPEAKER_03 42:02 - 42:02

Yeah.

SPEAKER_04 42:02 - 42:07

He gives the most unexpected villain performance I've ever seen.

SPEAKER_04 42:07 - 42:13

It wasn't over the time, it was just grounded and weird and infinitely watchable.

SPEAKER_04 42:14 - 42:24

When I finally tracked him down, because he's elusive, I said I owe money because I've stolen so much from him that I believe I owe him $41 million.

SPEAKER_04 42:26 - 42:27

Don't put that on paper.

SPEAKER_04 42:27 - 42:28

No, not at all.

SPEAKER_04 42:29 - 42:29

Because he'll take it.

SPEAKER_04 42:29 - 42:30

I heard him jot it down though.

SPEAKER_04 42:32 - 42:34

But no, he's just a real gentleman too.

SPEAKER_04 42:34 - 42:36

Like really, you know, just made a good stuff.

SPEAKER_04 42:36 - 42:38

And he sells a tequila that comes in a skull?

SPEAKER_04 42:39 - 42:39

Vodka.

SPEAKER_04 42:39 - 42:40

Crystal skull.

SPEAKER_06 42:40 - 42:42

Because he's really into actual crystal skulls, right?

SPEAKER_04 42:42 - 42:43

And aliens and things?

SPEAKER_04 42:43 - 42:44

And UFOs.

SPEAKER_04 42:44 - 42:44

And aliens.

SPEAKER_04 42:44 - 42:45

Yeah.

SPEAKER_04 42:45 - 42:46

Did you try any?

SPEAKER_04 42:46 - 42:47

Did I try?

SPEAKER_04 42:47 - 42:50

I think I've tried everything that exists at some point.

SPEAKER_04 42:51 - 42:52

You know, try it twice, right?

SPEAKER_04 42:52 - 42:53

Yeah.

SPEAKER_04 42:53 - 42:55

Clay colored stool.

SPEAKER_04 42:55 - 42:55

Yes.

SPEAKER_04 42:56 - 42:58

You can smoke it.

SPEAKER_04 42:58 - 42:59

We don't have to go for it there.

SPEAKER_04 42:59 - 43:01

Yeah, but don't smoke the lorazepam.

SPEAKER_04 43:02 - 43:04

Because I also have another PSA for that.

SPEAKER_04 43:04 - 43:06

And you don't want those side effects.

SPEAKER_03 43:06 - 43:07

Oh my God.

SPEAKER_04 43:07 - 43:08

Or baby formula.

SPEAKER_04 43:08 - 43:09

Don't smoke baby formula.

SPEAKER_04 43:10 - 43:12

Are we going to list things you shouldn't smoke now?

SPEAKER_04 43:13 - 43:13

Yes.

SPEAKER_04 43:13 - 43:16

Most of them, when you smoke, you don't know you're peeing anymore.

SPEAKER_04 43:16 - 43:16

For the rest of your life.

SPEAKER_04 43:18 - 43:19

You dislike your life.

SPEAKER_04 43:19 - 43:19

Oh, it's warm.

SPEAKER_07 43:20 - 43:21

Now it's cold.

SPEAKER_04 43:21 - 43:22

It's warm and comforting all of a sudden.

SPEAKER_04 43:22 - 43:25

Yeah, but now, a little stingy, a little cold.

SPEAKER_04 43:26 - 43:27

Yeah, no, no, no, no.

SPEAKER_02 43:27 - 43:30

Yeah, but I, yeah, I didn't, I was never big on all of that.

SPEAKER_04 43:31 - 43:34

It's probably why I'm like, I come down a real, real heavy case of alive.

SPEAKER_04 43:35 - 43:35

Yeah.

SPEAKER_04 43:37 - 43:37

Yeah.

SPEAKER_04 43:37 - 43:42

I've always wanted to do a non-alk commercial for like one of those, you know, I wrote one.

SPEAKER_04 43:43 - 43:45

I haven't figured out how to end it all yet.

SPEAKER_04 43:45 - 43:50

But like where people do the same things drunk people do, except on their non-alcoholic beverage.

SPEAKER_04 43:51 - 43:51

Yes.

SPEAKER_00 43:51 - 43:51

The choice.

SPEAKER_04 43:51 - 43:56

Where they're like, you know, the next, the next morning they're like, you know, there's a woman who's like, I went out with Gail and the girls the other night.

SPEAKER_04 43:57 - 44:01

And I don't drink, but I had a one night stand with this guy.

SPEAKER_04 44:02 - 44:05

And then the camera just shifts over to him and he's like, and let me tell you something.

SPEAKER_04 44:05 - 44:05

I don't drink either.

SPEAKER_04 44:06 - 44:08

And I felt everything.

SPEAKER_04 44:09 - 44:11

You know, and she's like, I was awakened.

SPEAKER_04 44:11 - 44:15

And basically says, you know, we got crazy in the middle of the night and we just decided, fuck it.

SPEAKER_07 44:15 - 44:16

Let's have a baby.

SPEAKER_07 44:17 - 44:18

And we just met.

SPEAKER_04 44:18 - 44:20

I didn't know his last name.

SPEAKER_04 44:20 - 44:32

And basically experiences that each person has that you would normally, like the groom or the best man at a wedding, you know, gives a speech that's just fucking profound.

SPEAKER_04 44:32 - 44:38

You know, and it's not like just the letter L for five straight minutes and then like an anecdote about himself.

SPEAKER_04 44:38 - 44:40

You know, just nails it.

SPEAKER_04 44:40 - 44:41

Um, toe pick, everything.

SPEAKER_04 44:41 - 44:44

Uh, so I've always wanted, I've always wished that's like the angle.

SPEAKER_04 44:45 - 44:46

That's the angle.

SPEAKER_04 44:46 - 44:47

That would be fun with a little.

SPEAKER_05 44:47 - 44:48

It could have been an advertising.

SPEAKER_05 44:48 - 44:49

You missed, you missed out.

SPEAKER_05 44:50 - 44:50

Yeah.

SPEAKER_05 44:51 - 44:54

Because I can tell when you do your, whether it's Mint Mobile and I'll give you guys a plug.

SPEAKER_05 44:55 - 44:55

I think it's a fine service.

SPEAKER_02 44:55 - 44:55

That's okay.

SPEAKER_02 44:56 - 44:56

Yeah.

SPEAKER_05 44:56 - 44:56

Yeah.

SPEAKER_05 44:56 - 44:57

It is a fine service.

SPEAKER_05 44:57 - 44:58

Very good.

SPEAKER_05 44:58 - 45:06

Uh, your ads are very funny and I, I get the impression that you are behind them or steering them because you have that kind of brain.

SPEAKER_05 45:06 - 45:12

You like to say this is a commercial, but also call out that it's a commercial you love.

SPEAKER_04 45:12 - 45:15

Well, they know they're being, I mean, consumers know they're being marketed to.

SPEAKER_04 45:15 - 45:15

Yes.

SPEAKER_04 45:15 - 45:16

So don't do, you know.

SPEAKER_02 45:16 - 45:16

Don't, yes.

SPEAKER_04 45:16 - 45:18

It's not a very special episode of Dharma and Greg.

SPEAKER_04 45:18 - 45:22

It's a fucking, you know, it's a fucking Tidestick commercial, you know.

SPEAKER_02 45:22 - 45:22

Yeah.

SPEAKER_04 45:23 - 45:27

But it's, well, it's, I, you know why I, I like them and it's sort of, it's not just me.

SPEAKER_04 45:27 - 45:35

Certainly I have a, like a, I have some of the greatest, smartest people that quite frankly, I find threatening, um, who are, I get to work with.

SPEAKER_04 45:35 - 45:46

I mean, Sean Levy, who I've done three movies with now, um, you know, it's like a brain trust and like a, there's a real, I mean, every, movies that you sort of quote control are like that you're not controlling it.

SPEAKER_04 45:46 - 45:49

Like they just trust you, you know, you said like, Hey, I'm gonna land the plane.

SPEAKER_04 45:49 - 45:55

You know, I remember trying to, trying to get the, my Deadpool and Wolverine movie made and like just focused on that.

SPEAKER_04 45:55 - 45:57

I was like, I will return your investment.

SPEAKER_04 45:57 - 45:59

Like I will return your, I got you.

SPEAKER_04 46:00 - 46:02

Like I am not a reckless, you know, pilot.

SPEAKER_04 46:02 - 46:04

I am, I will land the fucking plane on a dime.

SPEAKER_04 46:04 - 46:07

It will be a four quadrant R rated film.

SPEAKER_04 46:08 - 46:10

I'm going to make Disney's first four quadrant R rated film.

SPEAKER_04 46:10 - 46:17

And this is after they said no to 18 different things, including a movie where Deadpool is, uh, after the hunter who killed Bambi.

SPEAKER_04 46:17 - 46:18

Bambi's mom, uh, mom.

SPEAKER_04 46:19 - 46:21

They said, we don't touch Bambi.

SPEAKER_04 46:22 - 46:24

And I said, you said you don't touch Mickey Mouse.

SPEAKER_04 46:24 - 46:25

We don't touch Bambi and we don't touch Mickey Mouse.

SPEAKER_04 46:25 - 46:26

You know what?

SPEAKER_05 46:26 - 46:30

Given the profits and what you've shown, I think you can do it now.

SPEAKER_04 46:30 - 46:32

Yeah, we, we, we, we did.

SPEAKER_04 46:32 - 46:39

And we, we, yeah, it's like, I, but I, that's a part of our responsibility too, is people to produce the movie and we co-write the movie and we're back to all those things.

SPEAKER_04 46:39 - 46:47

It's like making sure it like works because I've done movies that are, you know, uh, small films that, you know, are in Sundance and all that stuff.

SPEAKER_04 46:47 - 46:57

And I loved making them and they were hard to make and, uh, you know, they would get great reviews and everything, but then it would just, you'd find out later, it just bankrupted whatever little tiny studio made it.

SPEAKER_04 46:57 - 46:59

And I thought, I'm going to be out of work.

SPEAKER_04 46:59 - 47:00

They are getting out of work.

SPEAKER_04 47:00 - 47:02

I got to find a, I got to find a job that fits.

SPEAKER_04 47:03 - 47:07

So it, it's a win-win, you know, if I want to do it for the rest of my life, I'm going to have to figure that out.

SPEAKER_04 47:07 - 47:10

And then it grew to all of it, like all the other things.

SPEAKER_04 47:10 - 47:12

I love, I loved commercials when I was a kid.

SPEAKER_04 47:12 - 47:15

Like if you saw a good commercial, it stayed with you.

SPEAKER_04 47:15 - 47:15

Yes.

SPEAKER_04 47:15 - 47:23

You know, and I, and I was one of those kids, like you probably were, which you were sitting there two inches from the TV and just trying to stay up as late as humanly possible.

SPEAKER_04 47:23 - 47:25

Because TVs back then ran on plutonium.

SPEAKER_04 47:25 - 47:26

Oh my God.

SPEAKER_04 47:26 - 47:26

Right.

SPEAKER_05 47:26 - 47:27

And my face was melting.

SPEAKER_03 47:32 - 47:32

Scarred for life.

SPEAKER_03 47:33 - 47:33

Oh God.

SPEAKER_03 47:33 - 47:33

Yeah.

SPEAKER_05 47:33 - 47:34

Oh my God.

SPEAKER_03 47:34 - 47:34

Yeah.

SPEAKER_03 47:35 - 47:35

No, it's just.

SPEAKER_05 47:35 - 47:38

We sometimes turn off the lights in the studio and I'm a grinning skull.

SPEAKER_05 47:39 - 47:41

The teeth whitening has got to stop.

SPEAKER_04 47:47 - 47:55

The biggest change for me was, was Green Lantern because it was, you know, it didn't work.

SPEAKER_04 47:55 - 48:05

And it was, it was, I watched a studio throw money at problem, at the problem after problem after problem instead of create, like, you know, constraint is the greatest creative tool in the world.

SPEAKER_04 48:05 - 48:08

And that's why I like commercials because there's an economy to them.

SPEAKER_04 48:08 - 48:09

You can't have to make them quick.

SPEAKER_04 48:09 - 48:11

You have to be not precious about them.

SPEAKER_04 48:11 - 48:12

You know, it's a fucking commercial.

SPEAKER_04 48:12 - 48:12

Who cares?

SPEAKER_04 48:12 - 48:14

It doesn't have to be a Fellini film.

SPEAKER_04 48:14 - 48:17

It'll either work or it doesn't, or it moves at a speed of culture.

SPEAKER_04 48:18 - 48:19

So it's at least relevant.

SPEAKER_04 48:19 - 48:23

Like it's a, it's an easier way to kind of fix it, you know?

SPEAKER_04 48:23 - 48:28

But the, um, that movie was where I changed my life because I just saw money.

SPEAKER_05 48:28 - 48:34

You saw this is going down or this isn't, I don't think this is coming together and they're just throwing more millions at it.

SPEAKER_02 48:34 - 48:34

Yeah.

SPEAKER_04 48:35 - 48:41

And it was really like, that's hard for everyone because it's, it's, you're, you're too much money, too much time will murder creativity.

SPEAKER_04 48:41 - 48:50

Like if you have to, if you have, you're under constraint, like the next movie I did was Deadpool, which had a $56 million budget, I believe, which is nothing.

SPEAKER_04 48:50 - 48:54

Like I think they probably spent $250 on Green Lantern and this one had nothing.

SPEAKER_04 48:54 - 49:04

So you had to supplant or change all of these action spectacle set pieces into movies that like you remember the dialogue, not the thing.

SPEAKER_04 49:04 - 49:06

Cause audiences also are newer to special effects.

SPEAKER_04 49:07 - 49:11

Like if you, the world in danger, I was like, I love that the character's like, I don't give a shit about the world.

SPEAKER_04 49:12 - 49:13

Like I care about those people.

SPEAKER_04 49:14 - 49:14

Right.

SPEAKER_04 49:14 - 49:15

And no one else.

SPEAKER_04 49:15 - 49:16

I've been saying this.

SPEAKER_05 49:17 - 49:18

I've been saying this for years.

SPEAKER_05 49:18 - 49:19

I refuse to see a movie.

SPEAKER_05 49:20 - 49:23

At a certain point I declared, I will not see a movie that has a portal.

SPEAKER_05 49:23 - 49:24

If a portal opens.

SPEAKER_02 49:25 - 49:26

Oh God, the portal thing.

SPEAKER_02 49:26 - 49:26

We did use the portal.

SPEAKER_02 49:26 - 49:27

I know.

SPEAKER_05 49:27 - 49:29

But we did call it the Marvel Sparkle Circle.

SPEAKER_05 49:30 - 49:30

Yes.

SPEAKER_05 49:31 - 49:33

You had fun with it and made fun of it.

SPEAKER_05 49:34 - 49:40

There are so many movies where clearly that they don't know what to do.

SPEAKER_05 49:40 - 49:50

So what they have is six people put the nine stones together and then the sky opens and anything can come out and it doesn't have to make sense.

SPEAKER_06 49:51 - 49:52

I love that this is your cause.

SPEAKER_06 49:52 - 49:55

Cause most people are like, oh, politics and kids these days.

SPEAKER_06 49:55 - 49:58

And you're like, portals, portals, portals, portals, portals.

SPEAKER_06 49:58 - 50:00

I saw another portal today.

SPEAKER_05 50:00 - 50:00

Yeah.

SPEAKER_05 50:01 - 50:02

Used to be get off my lawn.

SPEAKER_03 50:02 - 50:03

Get out of my portal.

SPEAKER_05 50:03 - 50:11

A dragon made of fire and lava came out of the sky and punched Captain America, who's a strong man.

SPEAKER_05 50:11 - 50:11

Yes.

SPEAKER_05 50:12 - 50:16

And he fell down, but then got up and punched the dragon and it went flying.

SPEAKER_05 50:16 - 50:17

Preach, sister.

SPEAKER_05 50:17 - 50:18

I'm sorry.

SPEAKER_05 50:19 - 50:25

I know that there's people think there's problems with racial inequality, gender inequality.

SPEAKER_05 50:25 - 50:29

There's a poverty, poverty in the world.

SPEAKER_05 50:29 - 50:30

Don't even get us started on tariffs.

SPEAKER_06 50:30 - 50:33

But all of that can be fixed by portals if you'll just allow it.

SPEAKER_05 50:34 - 50:36

No, a dragon will come in and smash it all.

SPEAKER_05 50:37 - 50:38

It's bullshit.

SPEAKER_04 50:38 - 50:38

I watched it.

SPEAKER_04 50:38 - 50:43

I love the, the use of it because you could say anything in the Deadpool movies.

SPEAKER_04 50:43 - 50:49

We just, you know, I loved watching, I loved watching Kevin Feige watch the thing back.

SPEAKER_04 50:49 - 50:53

Got together where Deadpool's like, he's like, you know, listen, we don't have to do this.

SPEAKER_04 50:53 - 50:57

You know, there's a big fight about to happen and they're like, no, we're going to fuck you up or whatever the line is.

SPEAKER_04 50:57 - 50:59

And he says, no, I'm not, I mean the multiverse.

SPEAKER_04 51:01 - 51:02

It's just, it's not, it's not working.

SPEAKER_04 51:03 - 51:04

It's not great.

SPEAKER_04 51:05 - 51:09

It's just been miss after miss after miss.

SPEAKER_04 51:10 - 51:17

It's been two Ant-Mans forward and one Black Adam back and it's not working.

SPEAKER_04 51:18 - 51:23

And, and, and, you know, Kevin wince on each miss after miss.

SPEAKER_04 51:24 - 51:25

So funny.

SPEAKER_04 51:26 - 51:27

And, and yeah, but then what a sport.

SPEAKER_05 51:28 - 51:39

But you make a really good point, which is that I do find that that's what's missing is a good movie gives you a couple of people and you, if they're doing it right, you really care about them.

SPEAKER_05 51:39 - 51:55

I know it sounds corny, but I was watching the third man Orson Welles, just Vienna, and I'm one, I watched that a couple of nights ago and God, they had me caring about these three people in Vienna in 1948.

SPEAKER_05 51:55 - 51:58

And I think the movie cost $11.

SPEAKER_05 51:58 - 52:02

Um, but oh my God, it's fantastic.

SPEAKER_05 52:02 - 52:12

And I do think that CGI had people thinking, oh, we don't need that so much as, as long as, cause people really care that that portal gets closed.

SPEAKER_05 52:12 - 52:13

Yeah.

SPEAKER_05 52:13 - 52:15

And you're like, I'm not sure they do.

SPEAKER_05 52:15 - 52:17

They don't really care if the portal gets closed.

SPEAKER_05 52:17 - 52:18

He's back on.

SPEAKER_05 52:18 - 52:18

I'm sorry.

SPEAKER_05 52:18 - 52:19

He's back on the portal.

SPEAKER_05 52:19 - 52:20

I know we got right back.

SPEAKER_05 52:20 - 52:21

I knew we were going back there.

SPEAKER_05 52:21 - 52:22

I could see the gravity.

UNKNOWN 52:22 - 52:23

Oh my God.

SPEAKER_05 52:23 - 52:33

The, the scene that we've seen so many times where one character is, is on one side of the glass and there's the radiation and it's you, it's Deadpool.

SPEAKER_05 52:34 - 52:34

I spocked him.

SPEAKER_04 52:34 - 52:35

Yes.

SPEAKER_04 52:35 - 52:35

Yeah.

SPEAKER_05 52:35 - 52:36

Deadpool Wolverine.

SPEAKER_05 52:36 - 52:37

And it's the parody of that scene.

SPEAKER_05 52:37 - 52:41

And, and one of the things that in a weird way, I got suckered into caring.

SPEAKER_05 52:41 - 52:46

I was, I was caring about the people in the scene.

SPEAKER_05 52:46 - 52:48

And then you start fucking around.

SPEAKER_04 52:48 - 52:51

Once we did, I did it just to make you laugh.

SPEAKER_04 52:51 - 52:58

And I'm swear to God, there's one, it's actually, we had to realign my head a couple of times because the going down the stairs didn't work quite well.

SPEAKER_04 52:58 - 53:00

So we were like rejiggering it, trying to get it right.

SPEAKER_04 53:00 - 53:02

But I just did it to make you laugh.

SPEAKER_04 53:02 - 53:05

Cause he, there he is shirtless, hasn't had a carb since the eighties.

SPEAKER_04 53:05 - 53:06

He's like, Oh my God.

SPEAKER_04 53:06 - 53:10

Like, you know, can we just get through this scene so I can have a bagel?

SPEAKER_04 53:11 - 53:14

And, um, you know, I am fucking around.

SPEAKER_04 53:14 - 53:15

It's just terrible.

SPEAKER_04 53:15 - 53:16

A horrible friend.

SPEAKER_05 53:16 - 53:18

Um, yeah.

SPEAKER_05 53:18 - 53:18

You know, it's so sad.

SPEAKER_05 53:18 - 53:21

The first time he said it, I thought he said to make you laugh.

SPEAKER_05 53:21 - 53:22

I thought so too.

SPEAKER_05 53:22 - 53:25

And I thought he was saying, Conan, I put that in just for you.

SPEAKER_05 53:25 - 53:28

And then I realized, no, he means Hugh Jackman.

SPEAKER_04 53:28 - 53:28

Yeah.

SPEAKER_05 53:29 - 53:30

And I suddenly lost interest in you as a person.

SPEAKER_04 53:31 - 53:33

Well, I actually had the same problem with the Whitney Houston song.

SPEAKER_04 53:33 - 53:34

Oh, the Dolly Parton song.

SPEAKER_04 53:34 - 53:35

But I always thought it was Hugh.

SPEAKER_04 53:36 - 53:37

I always loved Hugh.

SPEAKER_04 53:37 - 53:39

And then I was like, wait, you.

SPEAKER_05 53:40 - 53:40

Oh, shit.

SPEAKER_04 53:40 - 53:41

No, she meant it.

SPEAKER_05 53:41 - 53:42

She wrote it about Hugh Hefner.

SPEAKER_05 53:42 - 53:42

Yeah.

SPEAKER_05 53:43 - 53:43

Which is weird.

SPEAKER_05 53:44 - 53:46

Because it's, yes, it's very sexist.

SPEAKER_02 53:47 - 53:47

Yeah, yeah.

SPEAKER_05 53:47 - 53:51

She likes that he's commodified women's sensuality.

SPEAKER_05 53:51 - 53:51

I don't know.

SPEAKER_04 53:52 - 53:52

It's a terrible.

SPEAKER_04 53:52 - 53:53

Commodified, that word's come up three times today.

SPEAKER_04 53:54 - 53:54

It has?

SPEAKER_04 53:54 - 53:54

Yeah, yeah.

SPEAKER_04 53:54 - 53:56

I was sitting next to someone who said co-modified.

SPEAKER_04 53:56 - 53:58

And I was like, I think you mean commodified.

SPEAKER_04 53:58 - 54:00

And he's smart as shit.

SPEAKER_04 54:00 - 54:03

I was like, but I, so I felt the power in that moment, right?

SPEAKER_04 54:03 - 54:06

I was like, oh, I have something over you right now, don't I?

SPEAKER_05 54:06 - 54:08

No, I knew what I was doing.

SPEAKER_05 54:08 - 54:10

Because I've trademarked co-modified.

SPEAKER_04 54:10 - 54:10

Oh.

SPEAKER_04 54:11 - 54:12

I got you to say it.

SPEAKER_05 54:12 - 54:12

You and McElhenney.

SPEAKER_04 54:13 - 54:13

Because it was McElhenney.

SPEAKER_04 54:14 - 54:15

Robert.

SPEAKER_04 54:15 - 54:15

Robert.

SPEAKER_04 54:16 - 54:17

Copernicus.

SPEAKER_05 54:17 - 54:19

McElhenney was walking around here earlier.

SPEAKER_05 54:19 - 54:22

You guys were working on something in our, I.

SPEAKER_04 54:22 - 54:23

We often use your office.

SPEAKER_05 54:23 - 54:27

I let you use my office to shoot a major film.

SPEAKER_05 54:27 - 54:27

Yes.

SPEAKER_05 54:27 - 54:31

No, one of your, I think for your Wrexham project, you guys were shooting something.

SPEAKER_05 54:31 - 54:34

And I said, yes, yes, of course.

SPEAKER_05 54:34 - 54:35

Mi casa, su casa.

SPEAKER_05 54:35 - 54:38

Which I believe is, I think that's Spanish, I think.

SPEAKER_04 54:38 - 54:40

Yeah, no, that's, no, that's German.

SPEAKER_04 54:41 - 54:41

Oh, that's German.

SPEAKER_04 54:41 - 54:42

Yes, mein casa.

SPEAKER_04 54:42 - 54:43

Mein casa, yeah.

SPEAKER_04 54:43 - 54:44

Su casa.

SPEAKER_05 54:44 - 54:45

But it's angrier.

SPEAKER_05 54:46 - 54:48

Anyway, I saw you when I first walked in.

SPEAKER_05 54:48 - 54:51

I see you and I see McElhenney and I give you a hug.

SPEAKER_05 54:51 - 54:56

And it's like, this is, this is, Ryan Reynolds takes good care of himself, works out.

SPEAKER_05 54:56 - 55:00

But I, I, I hug you and I'm like, well, this is an impressive lad.

SPEAKER_05 55:01 - 55:01

Yeah.

SPEAKER_05 55:01 - 55:03

And then I turn to McElhenney, I hug him.

SPEAKER_05 55:03 - 55:05

That guy is.

SPEAKER_04 55:05 - 55:06

Yes, I know.

SPEAKER_05 55:07 - 55:07

Alabaster.

SPEAKER_04 55:07 - 55:07

Yes.

SPEAKER_04 55:08 - 55:08

No, heart as a rock.

SPEAKER_04 55:08 - 55:09

Heart as a rock.

SPEAKER_04 55:09 - 55:10

No, me, heart as a rock right now.

SPEAKER_04 55:11 - 55:12

He is.

SPEAKER_05 55:12 - 55:14

Just describing it, your heart as a rock.

SPEAKER_05 55:14 - 55:14

Right, 100%.

SPEAKER_05 55:14 - 55:16

McElhenney, I saw him without his shirt.

SPEAKER_04 55:16 - 55:17

How you feeling now there?

SPEAKER_04 55:18 - 55:22

You guys were expertly lit and in slow motion in my mind when I saw you guys coming together.

SPEAKER_04 55:22 - 55:26

No, McElhenney, don't, don't, don't sleep on that body.

SPEAKER_04 55:26 - 55:27

Well, sleep on it if you can.

SPEAKER_04 55:27 - 55:29

Yeah, happily married though, so don't try it.

SPEAKER_04 55:29 - 55:31

But he's, you know, he's a rock.

SPEAKER_04 55:31 - 55:32

He's a beast.

SPEAKER_04 55:32 - 55:32

Incredible.

SPEAKER_04 55:32 - 55:35

So yeah, Rob, I, I treat with respect.

SPEAKER_04 55:35 - 55:36

You better.

SPEAKER_04 55:36 - 55:37

With kindness.

SPEAKER_04 55:37 - 55:37

Yeah.

SPEAKER_04 55:38 - 55:40

Occasional condescension and that's about it.

SPEAKER_04 55:40 - 55:40

Yeah.

SPEAKER_04 55:41 - 55:41

Mostly just those things.

SPEAKER_04 55:42 - 55:45

But he did say co-modified because not great.

SPEAKER_04 55:45 - 55:45

Yeah.

SPEAKER_04 55:45 - 55:46

He fucked up, not me.

SPEAKER_04 55:46 - 55:46

Yeah, yeah, yeah.

SPEAKER_04 55:46 - 55:47

I wouldn't do that.

SPEAKER_04 55:47 - 55:56

Just finished like two years of just in the guts of something, you know, with, I always think the film and the filmmakers, like Sean Levy is more like a brother.

SPEAKER_04 55:56 - 55:57

We say we just love each other.

SPEAKER_04 55:57 - 55:58

We're three movies together.

SPEAKER_04 55:58 - 56:00

We're going to do a fourth one at some point.

SPEAKER_04 56:00 - 56:08

But that like filmmaker word is not broad enough, though, because like it's so when movies work, you guys talked about this on one of the shows.

SPEAKER_04 56:08 - 56:09

I think it was like Adam Scott.

SPEAKER_04 56:10 - 56:15

That the how like either hard to make a movie, a movie's hard to make.

SPEAKER_04 56:15 - 56:16

It's impossible.

SPEAKER_04 56:16 - 56:16

Yeah.

SPEAKER_04 56:17 - 56:21

Like everyone has to be excellent, like really in care.

SPEAKER_04 56:21 - 56:24

People sort of underestimate how valuable caring is.

SPEAKER_04 56:24 - 56:36

And, you know, when you work with a props department or a production designer who in his cells wants to make the best possible, our Deadpool and Wolverine, Ray Chan, he passed away, unfortunately, on our last fucking day of shooting, too.

SPEAKER_04 56:36 - 56:38

It was really sad.

SPEAKER_04 56:38 - 56:44

But it was one of those things where in post, we got to put Easter eggs of him everywhere in the movie.

SPEAKER_04 56:44 - 56:50

But that movie would never have done what it did or connected with people the way it did without this guy.

SPEAKER_04 56:50 - 56:52

And I consider a production designer, a filmmaker.

SPEAKER_04 56:52 - 56:53

Sometimes a costumer is a filmmaker.

SPEAKER_04 56:54 - 56:55

Sometimes it's a, you know, cinematographer.

SPEAKER_04 56:56 - 57:00

It's just these are so that more vast a pool than I think people realize.

SPEAKER_04 57:00 - 57:15

You know, there's a lot like it's part of why it changed my trajectory when I was at the right time was, you know, you do a movie and you're working with people who if there's one person in charge and that is it, my way or the highway, you get everyone into a yes sir, no sir.

SPEAKER_04 57:15 - 57:19

You know, like when I pitch a joke, I'm always like, OK, here's the shittiest version possible.

SPEAKER_04 57:19 - 57:21

But and I'm what I'm actually doing is inviting dissent.

SPEAKER_04 57:21 - 57:26

I want you to disagree, like disagree with me because then then we're going to have fun.

SPEAKER_04 57:26 - 57:26

It's going to get better.

SPEAKER_04 57:27 - 57:27

Right.

SPEAKER_04 57:27 - 57:31

And you may have an idea that it's amazing that you've suppressed because I'm like, this is the way.

SPEAKER_04 57:32 - 57:35

But it's that pool always has to be expansive.

SPEAKER_04 57:35 - 57:37

And then you make great stuff.

SPEAKER_04 57:37 - 57:50

And then it's why movies are like, you know, I was so happy you were hosting the Oscars because like you, I think you've now and have always understood the joy of of collective effervescence.

SPEAKER_04 57:50 - 57:54

It's why you work in front of a live audience a lot, too, which is why, you know, some friends

SPEAKER_05 57:54 - 58:01

You make things with people, which is always the the magic is we this is a group of us.

SPEAKER_05 58:02 - 58:05

If you have a good audience, you can make them part of it.

SPEAKER_05 58:05 - 58:07

I like I think it's coming from a family.

SPEAKER_04 58:08 - 58:11

That's another example of why I love this man.

SPEAKER_04 58:11 - 58:12

And now I got to say my name.

SPEAKER_04 58:12 - 58:13

I might be confused.

SPEAKER_04 58:13 - 58:14

Oh, he's pointing to me.

SPEAKER_04 58:15 - 58:16

No, Gail.

SPEAKER_02 58:17 - 58:18

Cone Cone.

SPEAKER_02 58:18 - 58:19

Has anyone ever gone Cone Cone?

SPEAKER_04 58:20 - 58:20

They've never gone Cone Cone.

SPEAKER_04 58:20 - 58:21

Let's not do that.

SPEAKER_04 58:24 - 58:29

The reason I love you is that you don't you don't punch down like it's not your vibe and it's a good.

SPEAKER_04 58:29 - 58:31

Oh, no, I would very much like to be the best target.

SPEAKER_02 58:31 - 58:32

Yes, me too.

SPEAKER_04 58:32 - 58:39

Like I did it once in my life and I deeply, deeply regretted it.

SPEAKER_04 58:39 - 58:42

And it was 22 years ago and it was such a lesson they'll never forget.

SPEAKER_04 58:42 - 58:52

And I said something on late night, but it was a little bit like when the just the comedian or the guy with the microphone starts picking on someone, you're just like, they don't have a microphone as well.

SPEAKER_04 58:52 - 58:58

It's not fair, you know, and it's and it just that land that that was left a mark that I'll never, ever.

SPEAKER_04 58:58 - 58:59

Yeah, you can't forget.

SPEAKER_05 58:59 - 59:12

If you think you've really hurt someone's feelings, you as crazy as it sounds and you're in comedy, if you really think you've hurt someone's feelings, unless it's Mussolini or Stalin.

SPEAKER_05 59:13 - 59:14

Oh, how did you know?

SPEAKER_05 59:16 - 59:18

You have trouble like I can't sleep.

SPEAKER_04 59:18 - 59:21

You know, you wake up and you're just, you know, wide away.

SPEAKER_04 59:21 - 59:22

It was the person.

SPEAKER_04 59:22 - 59:23

It gets worse.

SPEAKER_04 59:23 - 59:24

I am.

SPEAKER_04 59:24 - 59:28

I wrote a long note to the person afterwards and I said, I don't know why that came out of my mouth.

SPEAKER_04 59:28 - 59:30

And it was because I'd seen them like a couple of days before.

SPEAKER_04 59:31 - 59:34

Near the apartment I was renting in Santa Monica.

SPEAKER_04 59:34 - 59:35

This is so long ago.

SPEAKER_04 59:35 - 59:39

And I sent I wrote a long letter to him, sent him a case of champagne.

SPEAKER_04 59:39 - 59:39

I don't know.

SPEAKER_04 59:39 - 59:40

I was young.

SPEAKER_04 59:40 - 59:42

No one drinks champagne, right?

SPEAKER_04 59:42 - 59:42

I don't know.

SPEAKER_04 59:44 - 59:49

And later I read a story about his wife saying that he fell off the wagon back in June.

SPEAKER_04 59:49 - 59:50

Oh, no.

SPEAKER_04 59:50 - 59:52

Yeah, no, it was I didn't.

SPEAKER_04 59:52 - 59:53

I had no idea.

SPEAKER_04 59:53 - 59:57

This was before you don't just Google someone like I didn't know.

SPEAKER_05 59:57 - 01:00:04

So you mocked him and then your apology was to send him the substance that he had successfully kicked.

UNKNOWN 01:00:04 - 01:00:04

Fuck me.

SPEAKER_04 01:00:05 - 01:00:05

Like I really.

SPEAKER_04 01:00:05 - 01:00:08

And then so that's where I got the lesson to never apologize.

SPEAKER_04 01:00:09 - 01:00:12

If you're listening right now, don't apologize.

SPEAKER_04 01:00:14 - 01:00:14

Yeah.

SPEAKER_04 01:00:14 - 01:00:14

No, no.

SPEAKER_04 01:00:15 - 01:00:16

He's fine and wonderful.

SPEAKER_04 01:00:17 - 01:00:18

And may I say thriving.

SPEAKER_05 01:00:18 - 01:00:25

But I will tell you that I have had the same thing just like twice in my career where I said something.

SPEAKER_05 01:00:25 - 01:00:26

It just slipped out of my mouth.

SPEAKER_05 01:00:26 - 01:00:27

I'm doing a volume business.

SPEAKER_05 01:00:27 - 01:00:34

It got back to me that the person's feelings were hurt and it felt like I had been shot and I wrote a letter and sent it to them.

SPEAKER_04 01:00:35 - 01:00:40

Like, I'm so sorry that you, you know, I mean, as parents, you see, I mean, no, but yeah, exactly.

SPEAKER_04 01:00:40 - 01:00:41

I do that all the time with the kids.

SPEAKER_04 01:00:41 - 01:00:51

If you like if you get down, kneel down at their level and say, hey, when we last night when you wouldn't, you know, go to bed and you did all the sorry, street art on the wall.

SPEAKER_04 01:00:54 - 01:00:57

I could have handled that better and I wasn't great.

SPEAKER_04 01:00:58 - 01:00:59

I wasn't good at dadding.

SPEAKER_04 01:00:59 - 01:01:01

And I'll even do the do over.

SPEAKER_04 01:01:01 - 01:01:02

I'm like, can I try?

SPEAKER_04 01:01:02 - 01:01:04

Can you make some more street art?

UNKNOWN 01:01:05 - 01:01:05

Fuck.

SPEAKER_07 01:01:05 - 01:01:06

Over there.

SPEAKER_04 01:01:06 - 01:01:10

But on the paper and I will come in and I'll do it again better.

SPEAKER_04 01:01:11 - 01:01:12

I love that you're asking for a retake.

SPEAKER_04 01:01:13 - 01:01:13

Yeah.

SPEAKER_04 01:01:13 - 01:01:14

Basically, that is what I'm doing.

SPEAKER_02 01:01:15 - 01:01:15

I'm imposing.

SPEAKER_02 01:01:15 - 01:01:16

Let's go again.

SPEAKER_02 01:01:16 - 01:01:17

Who doesn't want a child actor?

SPEAKER_04 01:01:17 - 01:01:19

You sociopathic monster.

SPEAKER_04 01:01:19 - 01:01:27

Let's skip showbiz and just enroll you straight into cocaine right here and then go into showbiz with all your injuries, emotional injuries.

SPEAKER_05 01:01:27 - 01:01:30

We have to wrap this up because we've kept you for too long and you're a man in demand.

SPEAKER_05 01:01:31 - 01:01:33

You are one of my favorites.

SPEAKER_05 01:01:33 - 01:01:35

I say that at the end of every podcast.

SPEAKER_05 01:01:35 - 01:01:35

I know.

SPEAKER_05 01:01:35 - 01:01:37

I know, but I'm still going to react.

SPEAKER_05 01:01:37 - 01:01:44

Sometimes I'm talking to absolute criminals in jail and I say you're one of my favorite people and I believe you're innocent of those 19 murders.

SPEAKER_05 01:01:44 - 01:01:44

Yes.

SPEAKER_05 01:01:44 - 01:01:45

Which you would confess to.

SPEAKER_05 01:01:45 - 01:01:46

Jay Leno fell.

UNKNOWN 01:01:46 - 01:01:47

I didn't know.

SPEAKER_04 01:01:49 - 01:01:52

We were all looking for the Hampton Inn.

SPEAKER_04 01:01:52 - 01:01:53

You pushed him down that hill.

SPEAKER_04 01:01:53 - 01:01:56

Who doesn't look for a Hampton Inn when you're a millionaire?

SPEAKER_05 01:01:56 - 01:01:59

Ryan, you are so fast.

SPEAKER_05 01:01:59 - 01:02:07

You were so fast and so funny and making so many people happy and I'm thrilled that we could spend time today and hang out.

SPEAKER_04 01:02:07 - 01:02:11

I've never seen four hours go by as fast as it just did.

SPEAKER_04 01:02:12 - 01:02:12

No, I'm serious.

SPEAKER_04 01:02:13 - 01:02:21

This is one of those things where I could tell in your voice it's time to wrap it up and I got genuinely sad because I, you know, you are an idol of mine.

SPEAKER_04 01:02:21 - 01:02:31

You are somebody who I've watched and dare I say that the risk of overpraising look up to and always have always will because you're kind.

SPEAKER_04 01:02:31 - 01:02:34

You have integrity and you can.

SPEAKER_04 01:02:34 - 01:02:37

That doesn't mean it costs you subversive comedy or any of those things.

SPEAKER_04 01:02:37 - 01:02:40

All that edge is there and it is a high bar you set.

SPEAKER_04 01:02:40 - 01:02:40

You always have.

SPEAKER_04 01:02:41 - 01:02:43

And, uh, and that's, that's, that's why I did the Jay Leno thing.

SPEAKER_04 01:02:43 - 01:02:46

I just, I, you know, I fucking snapped.

SPEAKER_05 01:02:47 - 01:02:49

And, um, I, I don't know what you're talking about.

SPEAKER_05 01:02:49 - 01:02:51

I forget everything before 2010.

SPEAKER_05 01:02:52 - 01:02:53

Um, it's all gone.

SPEAKER_05 01:02:53 - 01:02:55

But you didn't forget my wire numbers.

SPEAKER_05 01:02:58 - 01:02:59

You came in islands.

SPEAKER_05 01:03:01 - 01:03:03

Ryan, thank you so much.

SPEAKER_05 01:03:03 - 01:03:05

And, uh, God bless.

SPEAKER_05 01:03:06 - 01:03:07

I got, I bless you and I am a God.

SPEAKER_05 01:03:08 - 01:03:08

So God bless you.

SPEAKER_04 01:03:08 - 01:03:10

I know you are a deity.

SPEAKER_04 01:03:10 - 01:03:11

What is that?

SPEAKER_04 01:03:11 - 01:03:11

Is it, isn't there that way they call it?

SPEAKER_05 01:03:11 - 01:03:13

No, Deus is the thing you stand behind when you talk.

SPEAKER_04 01:03:13 - 01:03:14

It's co-modified.

SPEAKER_05 01:03:14 - 01:03:17

Well, hey, at least we got, at least we stopped the landing going out.

SPEAKER_04 01:03:17 - 01:03:18

That's the important thing.

SPEAKER_04 01:03:18 - 01:03:19

Also, we talked about a lot of Canadians.

SPEAKER_04 01:03:20 - 01:03:20

Thank you for that.

SPEAKER_05 01:03:20 - 01:03:23

I'm saying, and there's a huge trade imbalance here.

SPEAKER_04 01:03:23 - 01:03:24

Yeah, we're going to work on that.

SPEAKER_04 01:03:24 - 01:03:26

We're going to, we're going to have a caucus.

SPEAKER_04 01:03:26 - 01:03:27

Is that what we say?

SPEAKER_04 01:03:27 - 01:03:27

We caucus on it?

SPEAKER_02 01:03:28 - 01:03:28

Okay, don't do that.

SPEAKER_04 01:03:29 - 01:03:31

Legislative branches, your worship in Canada.

SPEAKER_04 01:03:31 - 01:03:32

That's a fun one.

SPEAKER_04 01:03:32 - 01:03:34

You have to say your worship to the judge.

SPEAKER_02 01:03:34 - 01:03:36

Do you have the little honor of Canada yet?

SPEAKER_02 01:03:36 - 01:03:36

Have you had that?

SPEAKER_02 01:03:36 - 01:03:37

I do have it, yeah.

SPEAKER_02 01:03:37 - 01:03:38

Okay.

SPEAKER_02 01:03:38 - 01:03:40

You know who one of the people I think wrote the letter?

SPEAKER_02 01:03:40 - 01:03:40

It was Lorne.

SPEAKER_02 01:03:41 - 01:03:41

That's nice.

SPEAKER_02 01:03:42 - 01:03:42

It's a nice man.

SPEAKER_02 01:03:42 - 01:03:44

I think he, he won't admit to it.

SPEAKER_02 01:03:44 - 01:03:45

All right, sir.

SPEAKER_02 01:03:45 - 01:03:45

Thank you.

SPEAKER_02 01:03:46 - 01:03:46

Go with.

SPEAKER_02 01:03:46 - 01:03:47

Thank you, guys.

SPEAKER_02 01:03:47 - 01:03:48

Thank you all.

SPEAKER_05 01:03:48 - 01:03:49

Go with blessings.

Get Your Interview Transcribed

Upload your interview recording and get professional transcription with AI-generated insights.

Upload Your Interview